Canon EOS Rebel SL3 Review

Although Canon’s EOS Rebel T7 / EOS 2000D and EOS Rebel T100 / EOS 4000D models, which are even more affordable DSLRs, are located down at the bottom of the company’s lineup, neither model left much of an impact on us when we put them through their paces during our testing.

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Set Alert for Product: Canon EOS 250D (Rebel SL3) DSLR Camera w/ 18-55m DC Lens (Renewed) - $528.00
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Price history for Canon EOS 250D (Rebel SL3) DSLR Camera w/ 18-55m DC Lens (Renewed)
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  • $528.00 - November 18, 2022
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Since: September 13, 2022
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  • Lowest Price: $528.00 - November 18, 2022
Last Amazon price update was: February 5, 2023 12:57 pm
× Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on (,,, etc) at the time of purchase will apply to the purchase of this product.

Although purchasing either of those two cameras is still the most cost-effective way to enter the extensive EOS DSLR system – at least if one does not consider the option of purchasing a used camera – there is an additional choice that provides users with a few additional accessories to play with as well as a little bit more room for expansion. And considering the consistent competition from low-cost mirrorless cameras, that can only be viewed as a positive development.

The Rebel SL3, also known as the EOS 250D and EOS 200D II, is a Canon digital single-lens reflex camera that was released two years after the very capable EOS Rebel SL2 / EOS 200D that was released two years prior to it and easily made its way onto our list of the best DSLR cameras. It was placed between the EOS Rebel T6 / EOS 1300D and the more advanced EOS Rebel T7i / EOS 800D.

The majority of the Rebel SL3’s primary feature set was one that we were already familiar with at the time of its debut; nonetheless, it was the first DSLR camera of any brand to provide 4K video recording at such an affordable price.


  • APS-C sensor with 24.1 megapixels and Dual Pixel CMOS Autofocus
  • Processing engine based on the DIGIC 8
  • 4K UHD video recording to 24p

The EOS Rebel SL3 is the newest Canon DSLR to get a sensor with 24 megapixels of resolution in an APS-C format, just like its main competitor, Nikon. It is speculated that this is the same sensor that was included in the preceding model of the Rebel SL2, and it also incorporates a Dual Pixel CMOS AF technology much like its predecessor did.

When using the viewfinder, digital single-lens reflex cameras (DSLRs) often conduct phase-detection autofocus (AF), which is performed by this system using the pixels in the sensor. The presence of this on the sensor enables the Rebel SL3 to achieve rapid focusing whether utilizing live view or when recording movies, two aspects of the camera’s functionality that we will investigate in further depth in the next sections.

The camera uses an EF mount, which is the same amount that has been used for a long time in Canon’s EOS DSLRs. This mount is compatible with both EF-S and EF lenses. Your lens will be subject to a 1.6x crop factor because of the size of the sensor in the camera, regardless of the type of optic you choose to use.

Therefore, the EF-S 18-55mm f/4-5.6 IS STM lens that is included with the camera as part of the default kit option offers an effective focal length that ranges from about 29-88mm. Because there isn’t a comparable sensor-based system built into the camera itself, having lenses that come equipped with their own Image Stabilizer (I.S.) systems is especially useful in this case.

Despite the inclusion of a more recent DIGIC processing engine, the camera is still capable of shooting at a rate of 5 frames per second (fps), which is the same as the Rebel SL2 model. This burst rate is very reasonable for entry-level models, but in comparison to many mirrorless versions, it is rather antiquated.

It is possible that this model is not the best choice for you if you are the type of photographer who enjoys capturing moving scenes or activities. The Digic engine does, however, permit the capturing of 4K video at 24 frames per second, which is the better piece of news. However, there are a number of constraints.

When taking footage at 4K resolution, for instance, there are no additional frame rates available for selection. While you start recording a video, the footage is subject to a crop factor, which means that you lose a little bit of the wide-angle vision that your lenses provide. However, this is not an issue when recording movies in Full HD or Standard HD, so don’t worry about it.

You also won’t be able to use the Dual Pixel CMOS AF technology unless you’re okay with dropping the quality to Full HD. (Autofocus can still be used even while recording in 4K resolution; however, the process is typically less smooth.)

When you are using the viewfinder to frame your photographs, metering is handled by a separate 63-zone metering sensor, and this gives the standard evaluative, partial, spot, and a center-weighted average quartet of options. When utilizing live view, you have access to the same patterns; however, in this mode, metering is carried out using the primary image sensor, and you may employ a maximum of 384 distinct zones.

Picture Styles, on the other hand, provide the user the ability to modify the color, sharpness, and contrast of the taken image to suit the particular circumstances of the scenario. If you want the camera to make all of these choices, you can leave it in Auto mode, which is the default setting. However, other settings, such as Portrait, Landscape, Neutral, and Monochrome, are easily accessible and may be used if you want your photographs to have a certain look and feel.

Wi-Fi and Bluetooth connectivity, both of which were available on the EOS Rebel SL2, have been included in this model. However, the NFC feature that was available on that camera has been removed from this version. Smooth Skin mode, which tries to give subjects a more appealing complexion, is one of several more tiny features that make their debut in DSLR cameras with this model.

There is a USB port located on the right side of the camera when you are holding it. This port adheres to the older USB 2.0 specification as opposed to the more recent and quicker USB 3.1 specification; however, if you only use Wi-Fi or a card reader to transfer images from the camera, this probably won’t be an issue for you. In addition to this, there is a tiny HDMI socket located just above it, and a door on the left side of the device covers a 3.5mm microphone socket as well as an additional connection for remote releases.

Battery life is one area in which the Rebel SL3 shines above the competition. When using the viewfinder, the camera is rated to produce 1,070 images on a single battery charge, making it one of the most capable models in its category in this regard.

Battery life is one area in which the Rebel SL3 shines above the competition. When utilizing the viewfinder, the camera is rated to produce 1,070 images on a single battery charge, which places it among the top cameras in its category in this regard.

To put this into context, the Rebel SL2 was capable of taking 650 pictures on a single charge, so the improvement is substantial. If you record video or utilize live view, this number lowers to about 320 frames, which is roughly the same as what you’ll find on many of the mirrorless cameras available on the market today.

On the underside of the camera, next to the battery, is the one available card slot, which is also where the battery is stored. It is compatible with memory cards that are rated to the UHS-I standard; cards rated to the UHS-II standard will also operate, but there will be no performance improvement.

Design And Build Quality

  • Chassis made of aluminum alloy and polycarbonate resin
  • Mostly composed of polycarbonate resin for the outside
  • The world’s lightest single-lens reflex camera that also has a movable screen

The EOS Rebel SL3 / EOS 250D is Canon’s smallest and lightest DSLR, according to the company’s marketing materials. The black version weighs 4g less than the black Rebel SL2 at 449g, and the white version is 5g lighter than the white SL2 at 451g, but all of these measurements include the battery and card. It is actually the joint-smallest of its kind. Its dimensions are exactly the same as those of the Rebel SL2: 122.4 x 92.6 x 69.8 mm.

Although Nikon’s D3500 model, which weighs 415g, manages to outweigh this, Canon’s Rebel SL3 is the lightest DSLR with a moveable LCD screen, therefore the title still goes to Canon. In any event, a difference that is so inconsequential shouldn’t be a deal-breaker; it is unobtrusive to carry around for lengthy periods of time due to its diminutive size and lightweight.

Canon has made a few minor adjustments to the design of the Rebel SL3’s body, but for the most part, it is virtually identical to that of the Rebel SL2. The SL3 does away with some of the curves seen on the SL2 and replaces them with a form that is more angular.

Additionally, some of the controls have been subtly redesigned. Both the depth-of-field preview button and the flash button have been removed from the front plate. Instead, you have to lift the flash up from one of the grooves on its side in order to activate it. The depth-of-field preview button has also been removed.

The body of the camera now lacks a specific button for the flash; rather, the flash must be lifted manually by selecting one of two notches located on either side of the body. Credit for this image goes to TechRadar.

The body of the camera now lacks a specific button for the flash; rather, the flash must be lifted manually by selecting one of two notches located on either side of the body. Credit for this image goes to TechRadar.

Both the Wi-Fi button, which used to be located on the top plate of the Rebel SL2, and the Creative Auto option, which was located on the mode dial, have been removed. The combination of these factors results in a simpler design, but it does not feel like it is necessarily a move in the right direction in terms of how easy it is to use and operate.

The EOS Rebel SL3 achieves a very nice balance in terms of mobility, operation, and overall handling when held in the hands of the user. The body is rather little, but the grip is just about sufficient to fit neatly into a hand of ordinary size, and the thumb rest also has just enough room for a thumb of average size to sit without any issue. Despite the body’s diminutive size, the thumb rest and grip are both acceptable.

Rubber is only utilized for the most important elements of the body, which in this instance are the grip and the thumb rest; yet, this does enhance the way it is handled. The remainder of the body has a smooth shell, and the build quality seems to fulfill expectations; it probably won’t come apart from regular usage, but it might not take a hit as well as a camera whose exterior panels are made of magnesium or aluminum alloy.

However, some of the buttons, specifically the ISO and Disp buttons on the top plate and the magnification buttons on the rear do not offer quite as pleasing feedback as the others because they are smaller than others and require a bit more of the press than the others do. The majority of the buttons have good travel and click positively into the body of the camera.

There is just one command dial on the camera, and it can be found on the top plate. This dial has a coarse but positive movement, and it provides very excellent feedback, similar to the mode dial that is positioned right behind it.


  • Dual Pixel CMOS AF, with a total of 3,975 points that can be selected
  • Eye Detection AF and a brand-new function called Spot AF
  • when utilizing the viewfinder, a 9-point autofocus system

When you are looking through the viewfinder, the focus is taken care of by nine AF points that are organized in the standard diamond arrangement. It seems that this is the same mechanism that was found inside the previous Rebel SL2, which is, to be perfectly honest, a little bit disappointing.

When the subject is close up, and you need a point to fall somewhere outside of the nine pre-determined positions, focusing can be a bit more difficult due to the low number of points and their distance from one another; however, it does cover a reasonable portion of the frame, and it may be fine for static and more distant subjects.

It also doesn’t bode well for tracking moving subjects, which relies on points being closer together, and the fact that only one point is cross-type means the other eight are only sensitive to details in one orientation. This can typically be a bit more of a problem against low-contrast and/or low-detail subjects, although the camera does a surprisingly good job of finding focus against even quite featureless subjects.

Again, both AF spread and tracking are things that mirrorless cameras handle much more easily, so if you think it’s something that’s likely to be a deal-breaker for you, think carefully about whether or not you might be better off with a newer system. Mirrorless cameras handle both of these things much more easily.

When the lighting conditions are favorable, the technology is capable of quickly bringing the subjects into focus. When utilizing the 18-55mm f/4-5.6 IS STM kit lens, the camera is able to focus as rapidly as you can half-press the shutter-release button in bright conditions. This is the case even when using other lenses. When it comes to transferring focus between close-up and distant subjects, or vice versa, the only time the system moves at a slower rate is during these transitions.


  • rapid fire at 5 frames per second
  • Generally speaking, controls are responsive.
  • Effective implementation of touch controls

The menu pad that is provided here makes navigating the menus relatively simple, and the fact that the menu itself is color-coded and easy to read makes things even simpler. Although you will have to pay a little bit more for a camera that has a dial on the back for quick menu browsing, using this menu pad makes navigating the menus relatively simple.

If you are a complete novice, you may even switch the camera to a guided mode, in which the graphical user interface (GUI) is made to be more appealing to the eye, and visuals and text assist to explain what everything is and how to capture particular sorts of photographs.

The camera’s burst shooting mode captures images at a rate of 5 frames per second, which is about as fast as we anticipate for a model of this caliber. However, the length of time that you are able to keep this rate is contingent on the configuration of your camera.

If you are content to only take JPEGs with the camera, the only thing that appears to restrict the camera’s capabilities is the capacity of the memory card that is being used. If you switch to shooting raw files or shooting raw files and JPEG files at the same shot, you can usually obtain about 12 to 14 frames before the camera starts to slow down. This is not an overly generous amount, but it is in line with what we would anticipate from an entry-level DSLR.

If, on the other hand, you are content with raw data that has been compressed, we discovered that you may receive anywhere from about 20 to 40 frames, with the length of each burst varying from that of the previous one. This is the option you should choose if you believe you will be shooting anything at a high rate of speed and you still want to process your raw files. However, as we have discussed in the past, there are many other choices that are superior for people who like to picture action.

Image quality

  • Generally dependable metering system
  • Nice hues and the auto-white balance really sounds good.
  • Excellent film shot in 4K, although there is a discernible rolling shutter.

The Canon EOS Rebel SL3 is similar to other entry-level Canon EOS DSLRs in terms of its photography capabilities, despite the fact that it is one of the most reasonably priced digital single-lens reflex cameras (DSLRs) currently available on the market.

Images are often properly exposed regardless of the environment in which they were taken, be it outside where there may be a contrast between the sky and the foreground, or inside where there may be a range of highlights, shadows, and mid tones.

As a result of the potential for a reduction in detail caused by the densely obscured sky, it is important to remember to keep the Highlight Priority Option activated when shooting under these conditions. Even on the Low level, the Auto Lighting Optimizer has a useful impact and should be left on for scenarios that have a high dynamic range. This allows the shadows to be lifted just a bit, which makes the picture seem more balanced.

The majority of the colors are extremely attractive. When taking pictures outside with large expanses of blue sky, we discovered that the Landscape Picture Style performed significantly better than the Standard setting. This is because the pictures taken with the Standard setting appeared to be slightly undersaturated, despite the fact that this option performed very well in all other respects.

Images taken in rapid succession demonstrate that the automatic white balance mechanism of the camera is able to replicate the scene consistently under a variety of lighting situations. White balance may be especially difficult to achieve inside and in environments with a variety of illumination, but the EOS Rebel SL3 handles these conditions quite capably.

We don’t anticipate optical greatness from kit lenses like the EF-S 18-55mm f/4-5.6 IS STM, which is the lens that comes standard with the camera. However, the lens does display a little mustache-like curvilinear distortion at its wide-angle end, as well as some vignetting when employed here at f/4.

In either scenario, though, this isn’t a very serious issue and the options for rectification that are accessible to you in-camera or in the Canon Digital Photo Professional 4 application that comes bundled with the camera make quick work of fixing these issues.

At some point in the future, it is quite likely that Adobe’s Camera Raw and Lightroom applications will also enable these fixes; however, at the time of this writing, neither software accepts raw files generated by the EOS 250D.


The Canon EOS Rebel SL3 / EOS 250D is a wonderfully satisfying camera to use, with acceptable handling, operating as expected, and nice image quality. Additionally, the snappy touchscreen, quick start-up time, and outstanding Dual Pixel CMOS AF system all contribute to making it a highly capable all-rounder.

Despite this, it is not the most important upgrade because it has the same sensor as an older model and there have been no improvements made to either the viewfinder or the LCD screen. There are some restrictions placed on 4K video, and according to today’s criteria, having just one cross-type point in a sparse nine-point array is considered to be fairly meager.

It has many strong competitors, which only adds to its difficulties, and it is not difficult to find mirrorless cameras that either compete or easily outperform the Rebel SL3 / 250D in size, specifications, and general performance. Having said that, its primary selling advantages of having an exceptional battery life, producing appealing JPEGs, and being compatible with a vast pool of lenses, flashguns, and other accessories are things that are still difficult for many mirrorless cameras to totally imitate.

Canon EOS Rebel SL3 Specs

Body typeCompact SLR
Max resolution6000 x 4000
Image ratio w:h1:1, 4:3, 3:2, 16:9
Effective pixels24 megapixels
Sensor photo detectors26 megapixels
Sensor sizeAPS-C (22.3 x 14.9 mm)
Sensor typeCMOS
ProcessorDIGIC 8
ISOAuto, 100-25600 (expands to 51200)
Boosted ISO (maximum)51200
White balance presets6
Custom white balanceYes
Image stabilizationNo
Uncompressed formatRAW
JPEG quality levelsFine, normal
AutofocusContrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View
Manual focusYes
Number of focus points9
Lens mountCanon EF/EF-S
Focal length multiplier1.6×
Articulated LCDFully articulated
Screen size3″
Screen dots1,040,000
Touch screenYes
Screen typeTFT LCD
Live viewYes
Viewfinder typeOptical (pentamirror)
Viewfinder coverage95%
Viewfinder magnification0.87× (0.54× 35mm equiv.)
Minimum shutter speed30 sec
Maximum shutter speed1/4000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Subject / scene modesYes
Built-in flashYes
External flashYes (via hot shoe)
Continuous drive5.0 fps
Self-timerYes (2 or 10 secs)
Metering modesMultiCenter-weightedSpotPartial
Exposure compensation±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing±3 (3 frames at 1/3 EV, 1/2 EV steps)
FormatMPEG-4, H.264
Modes3840 x 2160 @ 25p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 50p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 25p / 30 Mbps, MP4, H.264, AAC
Storage typesSD/SDHC/SDXC (UHS-I compatible)
USBUSB 2.0 (480 Mbit/sec)
Microphone portYes
Headphone portNo
Wireless notes802.11b/g/n + Bluetooth
Remote controlYes (via wired or wireless remote or smartphone)
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionLP-E17 lithium-ion battery & charger
Battery Life (CIPA)1070
Weight (inc. batteries)449 g (0.99 lb / 15.84 oz)
Dimensions122 x 93 x 70 mm (4.8 x 3.66 x 2.76″)
Orientation sensorYes
Timelapse recordingYes (videos only)

Canon EOS Rebel SL3 Price

February 5, 2023 12:57 pm
× Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on (,,, etc) at the time of purchase will apply to the purchase of this product.
11 new from $527.00
February 5, 2023 12:57 pm
× Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on (,,, etc) at the time of purchase will apply to the purchase of this product.
1 new from $614.95
February 5, 2023 12:57 pm
× Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on (,,, etc) at the time of purchase will apply to the purchase of this product.
1 new from $689.95
February 5, 2023 12:57 pm
× Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on (,,, etc) at the time of purchase will apply to the purchase of this product.
19 new from $749.00
15 used from $529.95

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