In the fields of photography and filmmaking, the term “wide-angle lens” refers to a lens that has a focal length that is noticeably shorter compared to the focal length of a conventional lens when used with the same film plane. This particular type of lens enables more of the scene to be included in the shot, which is beneficial in photography of architectural spaces, interiors, and landscapes because the photographer may not be able to move further away from the subject in order to capture the image.
When a photographer wants to highlight the difference in size or distance between things in the foreground and the background, one use of this technique is to make adjacent objects look very huge, while those at a moderate distance appear small and further away.
By employing this technique of exaggerating relative scale, one may make foreground items more noticeable and arresting, while simultaneously capturing broad backgrounds.
A lens is said to have a wide angle of view if it is capable of projecting an image circle that is noticeably bigger than what is expected from a lens with a conventional design and the same focal length. This huge picture circle enables either extensive tilt and shift motions with a view camera or a broad field of vision. Both of these capabilities are advantageous.
Top Wide-angle Lenses for Canon EOS-1D X Mark II
Best Wide-angle Zoom Lenses for Canon EOS-1D X Mark II
1. Canon EF 11-24mm f/4L USM
Canon EF 11-24mm f/4L USM Lens
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC)
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC)
- Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
The ultimate wide-angle lens for taking photographs with an extremely wide angle of view! The very greatest ultra-wide-angle zoom lens that money can buy! The EF 11–24mm f/4L USM is the widest zoom lens that Canon has ever created, and it is capable of producing photographs with the broadest possible angle of view. It is the zoom lens with the broadest focal range that Canon has ever created, thanks to its L-series construction and optics.
This lens is ideal for landscape photography, interior photography, and capturing unique perspectives on items that are near to and far away from the camera since it has a wide-angle range that extends from 11 to 24 millimetres. The lens contains three Super UD elements, one UD element, and four aspherical elements. The Super UD elements contribute to a significant reduction in chromatic aberrations, and the UD elements contribute to a reduction in chromatic aberrations. The aspherical elements contribute to a reduction in distortions throughout the zoom range, while the UD elements help to maintain consistent edge-to-edge sharpness and illumination throughout.
While a 9-blade circular aperture diaphragm may provide beautiful, blurred backgrounds, a Subwavelength Coating (SWC) and Air Sphere Coating (ASC) can significantly reduce the amount of flare and ghosting that is produced. Every photographer should carry the EF 11–24mm f/4L USM lens in their bag if they want to take truly expressive photos everywhere they go. This lens has excellent performance and a fast f/4 aperture. It features a compact form and comes with a hood that is already built in. Additionally, it is compatible with all EOS cameras.
2. Canon EF 16-35mm f/2.8L III USM
Canon EF 16–35mm f/2.8L III USM Lens, Black (0573C002)
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds. Not an Extender Compatiblity. Magnification with Extension Tube EF12 II- 0.65 at Tele (Not compatible at Wide). Magnification with Extension Tube EF25 II- 1.14 at Tele (Not compatible at Wide).Lens Construction:16 elements in 12 groups.Filter Size: 82 millimeter, P=0.75 millimeter: 1 filter
This is without a doubt one of the best wide-angle zoom lenses that Canon has ever created, and it comes with our highest recommendation. The experts at DPReview were so impressed with the overall performance of the EF 16–35mm f/2.8L III USM that they gave it their highest possible grade of 91 per cent and bestowed it their Gold Award. It is a vital wide-angle zoom lens for professional photographers as well as amateur photographers who anticipate the greatest degree of operation and performance from the equipment they use. It can be used in almost every circumstance.
Your perspective will be perfectly controlled thanks to the 16-35mm focal range, which will enable you to capture images and films with magnificent and dramatic compositions that are restricted only by your own creative ability. Throughout the entirety of the lens’ zoom range, the lens’ maximum aperture remains fixed at f/2.8, guaranteeing excellent performance and exceptional light transmission. Whether you’re photographing precise and subtle landscapes, dramatic interiors, or anything in between, the EF 16–35mm f/2.8L III USM offers superb picture quality, a quick and constant aperture, and a durable build. As a result, the images that you capture with this lens are sure to grab people’s attention.
Both still and moving photos may be captured from extremely broad angles with continuous edge-to-edge quality, better peripheral illumination, and less distortion. This enables the acquisition of both still and moving images. This lens is a wonderful option for professional photographers as well as photography enthusiasts who enjoy taking pictures of landscapes, animals, weddings, and architectural subjects.
3. Sigma 12-24mm f/4 DG HSM Art
Sigma 12-24mm f/4 DG HSM Art Lens for Canon EF (205954)
- It allows photographers to enjoy the world of zero distortion that is ideal for landscape or architecture shooting.
- Continuing the tradition of the ultra wide angle range with incredible perspective, this new lens offers an optimal package.
- It allows photographers to enjoy the world of zero distortion that is ideal for landscape or architecture shooting.
- Continuing the tradition of the ultra wide angle range with incredible perspective, this new lens offers an optimal package.
- With F4 throughout the zoom range, it is one stop brighter than the previous model, allowing photographers to use faster shutter speed.
Magnificent lens! The price, which is significantly lower than that of the Canon 11-24mm model, is something that really stands out. The Sigma 12-24mm Art lens offers an excellent mix of centre-to-edge picture quality, reduced distortion, and the lowest focusing distance. This lens covers a reasonable range of ultra-wide focal lengths and is designed to cover a useful range of focal lengths.
It is differentiated by its innovative design, which helps to considerably cut down on distortion while also preserving a high degree of clarity over the entirety of the frame. The employment of a series of low dispersion and aspherical elements across the zoom range helps to eliminate chromatic and spherical aberrations, resulting in extremely outstanding clarity and colour fidelity throughout the whole zoom range.
Super Multi-Layer Coatings (SMLCs) help to decrease lens flare and ghosting, which leads to images that are more colour accurate and contrast-rich in a variety of lighting conditions. SMLCs also help to improve image quality. This Sigma 12-24mm f/4 DG HSM Art lens is perfect for a wide variety of photographic applications because it delivers outstanding picture quality from the lens’s centre to its edges without introducing any distortion. Some examples of these applications include landscape photography, photography of architecture, and photography of interiors, among others.
4. Tamron SP 15-30mm f/2.8 Di VC USD G2
Tamron SP 15-30mm F/2.8 Di VC USD G2 Lens for Canon Digital...
- Super high-quality high-speed ultra-wide-angle zoom lens
- Lens has triple lens coatings consisting of the newly developed ax coating, plus band and bar coatings
- Dual MPU system for AF and VC
- Newly developed VC mechanism now reaches 4.5 Stops of image stabilization (CIPA-rated)
- Super high-quality high-speed ultra-wide-angle zoom lens
- Lens has triple lens coatings consisting of the newly developed ax coating, plus band and bar coatings
- Dual MPU system for AF and VC
- Newly developed VC mechanism now reaches 4.5 Stops of image stabilization (CIPA-rated)
- Moisture-resistant construction
The Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is a highly appealing and more affordable alternative to comparable wide-angle zoom lenses made by Canon and Nikon, and it works extremely well. Its main selling point is its ability to capture a wider field of view. The Canon EF 11-24mm f/4L USM is more costly than the Tamron SP 15-30mm f/2.8, but it is far more stable, has a wider aperture, and offers an ultra-wide focal length range. Additionally, the Tamron lens delivers good image quality and is significantly more affordable.
The combination of aspherical and low dispersion glass elements, in conjunction with three different types of speciality lens coatings, helps to decrease chromatic and spherical aberrations, as well as flare and ghosting. This results in pictures that are more clear, more vivid, and more detailed. The magnificent f/2.8 continuous maximum aperture provides consistent brightness over the zoom range. This is particularly advantageous when working in low-light settings since it allows the camera to maintain its maximum aperture throughout the zoom range.
When combined with the Vibration Compensation (VC) image stabilisation technology of the camera, it has the potential to reduce camera shake by up to 4.5 stops. This can result in sharper still images and more fluid motion video, even when shooting handheld or with slower shutter speeds. A remarkable wide-angle zoom lens comes at a price that is quite fair.
5. Canon EF 17-40mm f/4L USM
Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for SLR...
- 17 40 millimeter ultra wide angle zoom lens with f/4 maximum aperture for Canon SLR Cameras. Diagonal angle of view 104° 57° 30'
- 3 aspherical lens elements and super UD glass element create superior optics in all conditions, Closest focusing distance: 0.9 feet
- 17 40 millimeter ultra wide angle zoom lens with f/4 maximum aperture for Canon SLR Cameras. Diagonal angle of view 104° 57° 30'
- 3 aspherical lens elements and super UD glass element create superior optics in all conditions, Closest focusing distance: 0.9 feet
- Powerful ring type ultrasonic monitor (USM) produces fast and silent autofocusing, Focuses as close as 11 inches, supports screw in 77 millimeter filters or up to 3 gel filters. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques
- Suitable for Wedding/Nature Photography, Weather resistant construction, Water and Dust Resistant, measures 3.3 inches in diameter, 1 year warranty
- Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
The Most Effective and Affordable Wide-Angle Lens Available! The Canon EF 17-40mm f/4L USM lens is your best option if you want to save money on a wide-angle lens while still receiving a lens of high quality. This lens has a maximum aperture of f/4 and measures 17-40 millimetres. The lens is sharp and well-focused, and it provides a wide variety of focal lengths, making it ideal for wide-angle photography such as landscapes and other subjects. In addition to this, it has excellent shooting quality even when there is little available light, and the price is not excessive.
In addition, this lens has a weather-sealing coating, which makes it suitable for usage in a wide range of environments that present a variety of difficult conditions. In comparison to the Canon 16-35mm lens, this one is not only far more affordable but also much more portable. The Canon 17-40mm doesn’t have image stabilisation, and it only has a maximum aperture of f/4, therefore those are two of the major limitations of the lens.
Best Wide-angle Prime Lenses for Canon EOS-1D X Mark II
6. Canon EF 14mm f/2.8L II USM
Canon EF 14mm f/2.8L II USM Ultra-Wide Angle Fixed Lens for Canon...
- Lens construction is 14 elements in 11 groups
- Focal length is 14mm, maximum aperture is 1:2.8 and has gel filter holder at rear of lens
- Closest focusing distance is 7.9 inches
- Diagonal angle of view is 114° (on full-frame cameras)
- Lens construction is 14 elements in 11 groups
- Focal length is 14mm, maximum aperture is 1:2.8 and has gel filter holder at rear of lens
- Closest focusing distance is 7.9 inches
- Diagonal angle of view is 114° (on full-frame cameras)
- Dust and moisture proof built in lens hood
- Compatible with all EOS Digital SLR cameras
- Redesigned optics including 2 high-precision Aspherical elements and 2 new UD-glass elements
- Uses a rear focusing system, high-speed CPU and powerful ring-type USM with revised electronics
- Built-in lens hood; dust- and moisture-proof
- 114º diagonal view
- Lens not Zoomable
An exceptional prime lens that captures a very wide field of view and comes highly recommended! Because of its superior optics and nearly nonexistent distortion, the Canon EF 14mm f/2.8L II USM wide-aperture lens is an outstanding option for use in photographic scenarios involving landscapes, natural settings, and interiors. Its long-term endurance is helped by the fact that its structure is both waterproof and dustproof, as is its sealing, which is both weatherproof and dustproof.
This lens is a fantastic option for astrophotography and is also a good choice for working in low-light conditions because it has a maximum aperture of f/2.8, which is significantly brighter than other lenses’ maximum apertures. To be more specific, the optical design incorporates four elements: two aspherical elements and two ultra-low dispersion elements. These four elements collaborate to control both the spherical and the chromatic aberrations, which ultimately results in a high degree of overall sharpness, clarity, and colour accuracy.
In addition to the ability to entirely override the autofocus system, the camera features a ring-type USM, which contributes to the camera’s speedy, silent, and accurate autofocus performance. An internal focusing mechanism also contributes to the camera’s focusing capabilities.
7. Canon EF 24mm f/1.4L II USM Telephoto Lens
Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed -...
- Lens not zoomable
- Minimum focus Distance is 0.8ft
- Focal Length -24 mm
- Diagonal angle of view: 84°
- Lens not zoomable
- Minimum focus Distance is 0.8ft
- Focal Length -24 mm
- Diagonal angle of view: 84°
This versatile lens combines a common wide-angle focal length with an exceptionally brilliant maximum aperture to produce photographs that are suitable for photojournalists, landscape and event photographers, as well as anyone who enjoys photographing from a broader viewpoint. These photographs are ideal for publishing online or displaying in print. Even in low-light circumstances, it maintains a high level of clarity across the sensor thanks to its two high-precision, large-diameter aspherical lenses. This is especially true in the perimeter areas of full-frame sensors.
This lens is characterised not only by its optical features but also by its rapid maximum aperture of f/1.4, which is beneficial for working in low light and for regulating the depth of focus. The optical properties of this lens are what make it stand out. In addition, this lens features a ring-type USM that allows for full-time manual focus override capabilities in addition to providing quick and silent AF performance. The Canon EF 24mm f/1.4L II USM is an exceptional wide-angle prime lens thanks to its quick and accurate auto-focus, beautiful bokeh, high build quality, and very sharp images. Additionally, this lens has a maximum aperture of 1.4, making it ideal for landscape photography.
8. Sigma 20mm f/1.4 DG HSM Art
Sigma 20mm F1.4 Art DG HSM Lens for Canon
- Optical designs is highly resistant to strong incidental light sources such as backlight
- Minimized Chromatic aberration, distortion, and ghosting. Weight is 2.1 pounds
- This lens delivers excellent brightness and bokeh and is ideal high speed lens for snapshots.
- Optical designs is highly resistant to strong incidental light sources such as backlight
- Minimized Chromatic aberration, distortion, and ghosting. Weight is 2.1 pounds
- This lens delivers excellent brightness and bokeh and is ideal high speed lens for snapshots.
- The Sigma 20mm F1.4 DG HSM can be considered as the culmination of the Art line in relation with F1.4 series
The Sigma 20mm f/1.4 DG HSM Art lens is a tremendously wide and incredibly fast lens that creates fantastic brightness and bokeh when used in photography. Because of its large aperture and quick speed, this high-speed lens is great for taking photographs with a snapshot camera. The lens’s long focal length and consistent picture quality make it especially well suited for applications such as landscape photography, interior photography, architectural photography, and astrophotography. Additionally, the lens’s fast maximum aperture of f/1.4 makes it particularly good for natural and low-light photography.
The lens design contains a total of 15 elements organised into 11 groups. It consists of two “F” Low Dispersion (FLD) elements, five Special Low Dispersion (SLD) elements, and two aspherical elements. These elements work together to limit distortion and significantly cut down on chromatic and spherical aberrations. The end result is imagery that is clear, crisp, and evenly illuminated.
The lens has a total of 15 different components organised into 11 different groups. When advanced optics and the proper distribution of lens power are coupled, spherical and axial chromatic aberration, as well as field curvature, are decreased. This results in image quality that is extraordinarily good with very little distortion. Outstanding Performance From Start to Finish All the Way Through!
9. Sigma 14mm f/1.8 DG HSM Art
Sigma 14mm F/1.8 Art DG HSM Lens (for Canon EOS Cameras)
- Large diameter delivering f/1.8 brightness
- Beautiful bokeh effect, and outstanding control of light streaking
- Ultra-wide Angle of view
- Super multi-layer coating helps reduce flare and ghosting
- Large HSM (hyper-sonic motor) delivers ample torque to the focusing group for outstanding speed, ensuring exceptionally stable performance even at lower speeds
- Large diameter delivering f/1.8 brightness
- Beautiful bokeh effect, and outstanding control of light streaking
- Ultra-wide Angle of view
- Super multi-layer coating helps reduce flare and ghosting
- Large HSM (hyper-sonic motor) delivers ample torque to the focusing group for outstanding speed, ensuring exceptionally stable performance even at lower speeds
Excellent optics! The Sigma 14mm f/1.8 DG HSM Art Lens for Canon EF is the first prime lens in the world to have an aperture of 1.8 at a focal length of 14 millimetres. This distinction was achieved by the lens’ focal length. This Sigma 14mm f/1.8 Art lens, which has excellent peripheral brightness, creates images of exceptional quality from the image’s centre outwards.
In spite of the fact that the lens has an incredibly wide field of view (14 millimetres), the brightness of F1.8 enables an extremely shallow depth of focus, which makes the subject stand out dramatically against a background of bokeh even when the subject is at a great distance. When used properly, a lens with a huge diameter has the ability to convey a distinctive form of expression that cannot be replicated by any other lens. This camera is capable of photographing a variety of subjects, including landscapes, buildings, astrophotography, and documentaries.
10. Canon EF 24-70mm f/2.8L II USM
Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
- 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 feet
- Image Stabilization : No. Focus adjustment: Inner focusing with USM. Diagonal angle of view: 84° - 34°. Weight 1.7 pound
- Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
- Ring USM, high-speed CPU, and image ptimized AF algorithms for fast auto focusing.
- Optimized lens coatings for exceptional color balance and minimal ghosting, florine coating on front and rear lens surfaces to reduce smears and fingerprints.
- New optical design utilizes 1 Super UD lens element and 2 UD lens elements to minimize chromatic aberration in the outer area at wide- angle; as well as eliminates color blurring around the edges of the subject, for images with high resolution and contrast.
- Combines 2 types of aspherical lenses to reduce spherical aberration, and achieve high image quality across the entire screen area and throughout the full zoom range.
- Zoom lock lever locks the zoom position at the wide end for safe transporting
It comes with a very strong recommendation! The Canon EF 24-70mm f/2.8L II USM Lens is a high-quality zoom lens that covers a common and varied range of focal lengths, making it suitable for shooting everything from landscapes to portraits. There is a wide range of colour options available, in addition to the fact that it is constructed for high-end performance and durability.
This lens, which is offered in a number of focal lengths ranging from wide-angle to portrait, is distinguished by its constant maximum aperture of f/2.8. This aperture is useful when working in low-light conditions and enables more control over the amount of depth that is captured by the image.
Additionally, the lens is distinguished by its superior optical design, which consists of one Super Ultra-Low Dispersion (UD) element and two Ultra-Low Dispersion (UD) elements. These three elements work together to eliminate colour fringing and chromatic aberrations, thereby providing a high degree of colour accuracy and clarity. Additionally, the lens contains three aspherical elements, each of which contributes to the reduction of distortion and spherical aberrations, resulting in increased sharpness.
It is difficult to find any extremely significant problems in the camera at all given its fast and accurate focusing as well as its construction that is sealed against the elements. It is suggested for use by professional photographers as well as serious amateur photographers who are looking for an ‘every day’ standard zoom lens with the greatest optics that are currently available. DPReview bestows its Gold Award upon the Canon EF 24-70mm f/2.8L II USM in recognition of the lens’ overall score of 87 per cent.
