Are you interested in finding the finest lenses for your Canon R3?
If you are interested in photography, you could already have Canon’s latest and greatest flagship camera.
Since the camera has only recently been released, it is a good idea to inquire about what lenses are compatible with it.
Banner for Canon R3 lenses
The quantity of helpful guidelines is dishearteningly low due to the fact that the body isn’t sold in a significant number of copies. Fortunately, I have made the decision to compile a list of the top five Canon R3 lenses.
First, before I begin discussing optics, let’s have a look at the technical parameters of the camera. The R3 is a high-quality mirrorless camera that was developed specifically for photojournalists, wildlife photographers, and spectators at sporting events. It comes equipped with a 5.69-dot EVF, a 30 fps electronic shutter, and a 24 MPx CMOS Dual-Pixel AF sensor. Either addition to the raw footage, the R3 is equipped with the ability to record in DCI or UHD 4k at up to 120 frames per second.
It is very evident that Canon intends for R3 to be a winning product. But what optics would work best with it?
Top Best Prime Lenses For Canon EOS R3
Prime lenses with the widest angles of view for the Canon EOS R3
1. ROKINON AF 14MM F/2.8 RF
Rokinon AF 14mm F2.8 Weather Sealed Auto Focus Wide Angle Lens for...
- Weather sealed aluminum construction
- Aperture range of f/2.8-F/22 with a minimum focusing distance of 7.8"
- Constructed of 15 elements in 10 groups including 1 ED lens, 2 aspherical lenses, and 4 HRI lenses
- Weather sealed aluminum construction
- Aperture range of f/2.8-F/22 with a minimum focusing distance of 7.8"
- Constructed of 15 elements in 10 groups including 1 ED lens, 2 aspherical lenses, and 4 HRI lenses
- Full frame compatible with 7 diaphragm blades and ultra multi-coated glass
This Rokinon AF 14mm f/2.8 RF compact lens has a super wide field of view along with an autofocus design. It also has a large angle of view that measures 113.9 degrees and a function that is both fast and precise when it comes to the autofocus function.
Its optical design incorporates three aspherical and two low dispersion elements, which together help to reduce distortion and colour fringing for improved clarity and sharpness. Its maximum aperture is f/2.8, which is relatively fast. This makes it suitable for working in difficult lighting conditions.
Each individual piece has been given an application of Ultra Multi-Coating in order to cut down on flare and ghosting, which will result in higher contrast and a more neutral colour balance. In addition, the autofocus motor of the lens offers a focusing performance that is both rapid and accurate. Additionally, manual focus override is available for those who need finer control. Therefore, this Rokinon AF 14mm f/2.8 RF lens is an excellent choice for taking photographs of landscapes, buildings, and other outside subjects.
2. LAOWA 12MM F/2.8 ZERO-D
Venus Optics Laowa 12mm f/2.8 Zero-D Lens for Canon RF
- RF-Mount Lens/Full-Frame Format
- Three Extra-Low Dispersion Elements
- Aperture Range: f/2.8 to f/22
- Two Aspherical Elements
- Rectilinear design renders subjects with minimal distortion
- RF-Mount Lens/Full-Frame Format
- Three Extra-Low Dispersion Elements
- Aperture Range: f/2.8 to f/22
- Two Aspherical Elements
- Rectilinear design renders subjects with minimal distortion
With a 122-degree ultra-wide field of view, the Laowa 12mm f/2.8 Zero-D for Canon RF-mount allows you to take breathtaking landscape or architectural photographs that are unparalleled by any other lens on the market. The shooting of shots inside buildings will also become considerably simpler. When working in low lighting circumstances or settings with problematic illumination, the brilliant maximum aperture of f/2.8 is an asset.
In order to achieve greater clarity and colour neutrality, three components with extra-low chromatic aberrations help to eliminate colour fringing and chromatic aberrations. In addition, the lens incorporates two aspherical elements, which help to control spherical aberrations and increase sharpness. This lens maintains correct rendering over the whole focus range, which extends from 7.09 inches to infinity and benefits from both a fine manual focus design and a floating optical system. The range of this lens’s focus range is 7.09 inches to infinity.
The Laowa 12mm f/2.8 Zero-D for Canon RF-mount is, in a single phrase, a truly wide-angle prime lens that features a rectilinear optical design. This lens is specifically intended to limit distortion for the purpose of portraying landscapes and architectural subjects in a way that is clear and accurate.
Prime lenses of the highest quality are available for the Canon EOS R3 camera.
3. CANON RF 50MM F/1.2L USM
Canon RF50mm F 1.2L USM Lens, Black
- Fixed focal length, Lens with high image quality and bright f/1.2 aperture for the EOS R system
- Minimum focusing distance of 1.31 ft. /0.40M. Filter Size: 77mm
- A control ring for direct setting changes
- Three aspherical elements and one UD Element
- Fixed focal length, Lens with high image quality and bright f/1.2 aperture for the EOS R system
- Minimum focusing distance of 1.31 ft. /0.40M. Filter Size: 77mm
- A control ring for direct setting changes
- Three aspherical elements and one UD Element
- 12 pin Communication system
- Mounting type: Canon RF
- Built-in Wi-Fi technology allows for on the go convenience and the ability to easily post your images to select social networking and media sites
The Canon RF 50mm f/1.2L USM lens offers a huge maximum aperture of f/1.2 for greater light-gathering capability and breathtaking bokeh, as well as a ring-type USM AF system for quick and ultra-precise focusing. It was designed to give razor-sharp images even in low-light circumstances.
Additionally, it has a tactile control ring that is located towards the front of the lens. This ring allows you to alter exposure settings such as shutter speed and aperture without having to remove your eye from the electronic viewfinder.
The RF 50mm f/1.2 L USM provides outstanding image clarity and a wealth of detail even in the corners or on the edges of the frame. Additionally, it has a minimum focusing distance of approximately 40 centimetres, which makes it an excellent choice for a variety of applications, including portraiture, street shooting, and fine art photography.
4. MITAKON SPEEDMASTER 50MM F/0.95 III lens
Zhongyi Mitakon Speedmaster 50mm f/0 95 Mark III Lens for Canon RF...
- Five ultra-low dispersion elements
- An ultra high refraction element
- Smooth, silent aperture control and focusing
- Depth of field and distance scales
- Aperture Range: f/0.95-16
- Five ultra-low dispersion elements
- An ultra high refraction element
- Smooth, silent aperture control and focusing
- Depth of field and distance scales
- Aperture Range: f/0.95-16
Great quality, ultra-fast f/0.95 maximum aperture. Manual focus design.
This Mitakon Speedmaster 50mm f/0.95 III lens is an extraordinarily fast normal-length prime with increased flare resistance. It thrives in low-light settings and allows great control over depth of focus, and its f/0.95 maximum aperture is obviously what sets it apart from other lenses.
In addition to this, it enables a high level of control over the depth-of-field, which may be used to separate subjects from their backgrounds and provide selective focus effects. The chromatic aberrations have been successfully reduced thanks to a meticulously designed optics system that consists of 10 elements in 7 groups, with one piece of HRI (High Refractive Index) and five pieces of UD (Ultra-low dispersion) elements. This system also produces an image that is of exceptional quality.
A representation that is slightly soft and out of focus can be achieved with the use of an eleven-blade diaphragm (bokeh). The manual focus construction of the lens enables the photographer to deal with subjects that are as near as 1.6 feet away, and the lens’s 11-blade diaphragm contributes to a pleasant bokeh quality. A wonderful tool for learning how to do things manually.
