Best Prime lenses For Canon EOS R5

The Canon EOS R5 is an ideal mirrorless camera for the professional image-maker who needs resolution, speed, and video capabilities, and it is without a doubt a game changer in the market for full-frame mirrorless cameras. It has set a new standard for versatility, and it is an ideal mirrorless camera for the professional image-maker.

The Canon EOS R5 is equipped with a newly developed 45MP Full-Frame CMOS Sensor as well as the DIGIC X processor that is found on the EOS-1D X Mark III. It is capable of recording impressively high-resolution DCI 8K 30 fps raw video internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. Additionally, it is capable of high-speed continuous shooting of up to 20 fp

In addition to this, the Canon EOS R5 is the first camera produced by Canon to have a high-performance coordinated image stabilisation (IS) system. This IS system combines the camera’s in-body IS with IS systems located on any RF lenses that are mounted to the camera (up to an impressive 8 stops of camera shake).

In addition, it has a particularly high-resolution electronic viewfinder that measures 0.5 inches and has 5.76 million dots. It also has a realistic refresh rate of 120 frames per second (fps), and its 3.2-inch rear touchscreen LCD monitor has a design that allows it to be tilted in different directions to meet the requirements of vlogging as well as the needs of working from high and low angles. To put it more succinctly, the Canon EOS R5 is a great mirrorless camera for a wide variety of photography and cinematographic contexts, including but not limited to weddings, portraits, sports, journalism, landscape, and more.

Top Best Prime lenses For Canon EOS R5

Prime lenses with the widest angles of view for the Canon EOS R5

1. Rokinon AF 14mm f/2.8 RF Lens for Canon RF

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Rokinon AF 14mm F2.8 Weather Sealed Auto Focus Wide Angle Lens for...

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Last update was on: December 5, 2022 11:55 pm

This Rokinon AF 14mm f/2.8 RF compact lens has a super wide field of view along with an autofocus design. It also has a large angle of view that measures 113.9 degrees and a function that is both fast and precise when it comes to the autofocus function.

Its optical design incorporates three aspherical and two low dispersion elements, which together help to reduce distortion and colour fringing for improved clarity and sharpness. Its maximum aperture is f/2.8, which is relatively fast. This makes it suitable for working in difficult lighting conditions.

Each individual piece has been given an application of Ultra Multi-Coating in order to cut down on flare and ghosting, which will result in higher contrast and a more neutral colour balance. In addition, the autofocus motor of the lens offers a focusing performance that is both rapid and accurate. Additionally, manual focus override is available for those who need finer control. Therefore, this Rokinon AF 14mm f/2.8 RF lens is an excellent choice for taking photographs of landscapes, buildings, and other outside subjects.

2. Venus Optics Laowa 12mm f/2.8 Zero-D Lens 

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Venus Optics Laowa 12mm f/2.8 Zero-D Lens for Nikon Z

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With a 122-degree ultra-wide field of view, the Laowa 12mm f/2.8 Zero-D for Canon RF-mount allows you to take breathtaking landscape or architectural photographs that are unparalleled by any other lens on the market. The shooting of shots inside buildings will also become considerably simpler.

When working in low lighting circumstances or settings with problematic illumination, the brilliant maximum aperture of f/2.8 is an asset. In order to achieve greater clarity and colour neutrality, three components with extra-low chromatic aberrations help to eliminate colour fringing and chromatic aberrations.

In addition, the lens incorporates two aspherical elements, which help to control spherical aberrations and increase sharpness. This lens maintains correct rendering over the whole focus range, which extends from 7.09 inches to infinity and benefits from both a fine manual focus design and a floating optical system. The range of this lens’s focus range is 7.09 inches to infinity.

The Laowa 12mm f/2.8 Zero-D for Canon RF-mount is, in a single phrase, a truly wide-angle prime lens that features a rectilinear optical design. This lens is specifically intended to limit distortion for the purpose of portraying landscapes and architectural subjects in a way that is clear and accurate.

Prime lenses of the highest quality are available for the Canon EOS R5 camera.

3. Canon RF 50mm f/1.2L USM 

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Canon EF 50mm f/1.2L USM Lens with Pro Filter (Renewed)

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$1,255.00

The Canon RF 50mm f/1.2L USM lens offers a huge maximum aperture of f/1.2 for greater light-gathering capability and breathtaking bokeh, as well as a ring-type USM AF system for quick and ultra-precise focusing. It was designed to give razor-sharp images even in low-light circumstances.

Additionally, it has a tactile control ring that is located towards the front of the lens. This ring allows you to alter exposure settings such as shutter speed and aperture without having to remove your eye from the electronic viewfinder.

The RF 50mm f/1.2 L USM provides outstanding image clarity and a wealth of detail even in the corners or on the edges of the frame. Additionally, it has a minimum focusing distance of approximately 40 centimetres, which makes it an excellent choice for a variety of applications, including portraiture, street shooting, and fine art photography.

4. Mitakon Speedmaster 50mm f/0.95 III

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Mitakon Zhongyi Speedmaster 50mm f/0.95 for Leica M, Black

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This Mitakon Speedmaster 50mm f/0.95 III lens is an extraordinarily fast normal-length prime with increased flare resistance. It thrives in low-light settings and allows great control over depth of focus, and its f/0.95 maximum aperture is obviously what sets it apart from other lenses.

In addition to this, it enables a high level of control over the depth-of-field, which may be used to separate subjects from their backgrounds and provide selective focus effects. The chromatic aberrations have been successfully reduced thanks to a meticulously designed optics system that consists of 10 elements in 7 groups, with one piece of HRI (High Refractive Index) and five pieces of UD (Ultra-low dispersion) elements. This system also produces an image that is of exceptional quality.

A representation that is slightly soft and out of focus can be achieved with the use of an eleven-blade diaphragm (bokeh). The manual focus construction of the lens enables the photographer to deal with subjects that are as near as 1.6 feet away, and the lens’s 11-blade diaphragm contributes to a pleasant bokeh quality. A wonderful tool for learning how to do things manually.

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