Those who like an optical viewfinder will discover that the Canon EOS Rebel T8i offers a high level of build quality, a user-friendly design, and produces high-quality images. It does not have very excellent video capabilities, and the focusing mechanism in the viewfinder is not as good as what you get on mirrorless cameras with their electronic finders. Moreover, it does not have very good still image capabilities. In spite of this, the Canon EOS Rebel T8i is a digital single-lens reflex camera (DSLR) that doesn’t break the bank.
The EOS Rebel T8i is Canon’s “high-end entry-level” digital single-lens reflex camera (EOS 850D in most places). A DIGIC 8 CPU and a 24 Megapixel APS-C CMOS sensor are included in this device. When shooting via the viewfinder, there is a 45-point all-cross-type AF system, and the camera’s fully articulating touchscreen can be utilized for live view and video capture with Canon’s outstanding Dual Pixel AF. Both of these features are available on the EOS M50.
When the live view is selected, the camera is able to recognize faces and even individual eyes. You are able to capture 4K video at 24 frames per second and Full HD video at 60 frames per second. The ability to capture films in a vertical orientation is something that will appeal to vloggers. The camera is equipped with a 3.5mm connector that allows for the connection of an external microphone. There are two methods of connection: Bluetooth and Wi-Fi.
Best Of Canon EOS Rebel T8i Microphones
1. Sennheiser EW 112P G4 Lavalier Mic
Sennheiser Pro Audio EW 112P G4 – A Omni-directional Wireless Lavalier Microphone...
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality.HDX compander for crystal-clear sound
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality.HDX compander for crystal-clear sound
The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system has the same combination of dependability, flexible control, and broadcast-quality sound that has made the EW Series a standard for videographers, journalists, and content creators all over the world. The EW Series has made the EW Series a standard for videographers, journalists, and content creators all over the world.
You won’t be able to avoid encountering issues with wireless connectivity on set, but the EW 112P G4 arms you with the skills you need to deal with them when they arise. The frequency scan feature of the transmitter will automatically locate the frequency that provides the clearest reception in your current location. The input sensitivity of the transmitter may be adjusted to accommodate loud voices, quiet speech, and even line-level audio.
The system consists of a bodypack transmitter, an enhanced ME 2-II lavalier mic, and a camera-mount receiver. It features a connection that allows it to be used with a camcorder or DSLR/mirrorless camera to capture clear audio or conversation for a variety of applications, including but not limited to corporate ads, wedding films, and hands-free interviews.
You are able to mix and match G4/G3/G2/G1 receivers and bodypack, portable, and plug-on transmitters with the EW 112P G4 since it is compatible with previous generations of evolution systems. Additionally, it is compatible with systems based on the EW 500.
2. Sennheiser MKE 600 Shotgun Microphone
Sennheiser Professional MKE 600 Shotgun Microphone with XLR-3 to 3.5mm Connector for...
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Switchable "Low Cut" filter: Minimizes wind noise
- Phantom or battery powering: Because some video cameras/ camcorders do not provide phantom power
- Supplied with foam windshield and shock mount
If you want to increase the sound quality of your movies, ditch the microphone that comes integrated into your camera and instead use the battery- or phantom-powered Sennheiser MKE 600 shotgun microphone instead. Because it can be directed in one direction and does not take up noise from the building, it is useful for a broad variety of projects, including indie films, online series, wildlife programs, and documentaries.
Because of its high sensitivity and low-noise circuitry, the MKE 600 makes it feasible to improve the sound quality of noisy camera preamps without having to apply a significant amount of gain. This is because the MKE 600 has a high input level. Because it includes a natural roll-off at 40 Hz and a low-cut filter that can be adjusted at 100 Hz, the MKE 600 can make speech intelligible while suppressing rumbling and other low-frequency noise. This is made possible by the combination of these two features. In addition to this, the frequency response of the speaker features a slight boost in the treble that helps speech seem more distinct.
Because the metal casing is both robust and lightweight, adding it won’t add much weight to your setup, but it will make it more durable. The MKE 600 is equipped with a shoe shockmount that may be used to attach the microphone to a tripod or camera. Connect the microphone’s XLR output to an XLR mic preamp using the adapter cable that came with the microphone, or connect the microphone to the 3.5mm mic input of a camera using the adapter cable that came with the microphone.
3. A hybrid analog/USB camera-mount shotgun microphone from Rode
Rode VideoMic NTG Camera-mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
The sound of the highly regarded NTG shotguns is now available to video makers, run-and-gun filmmakers, voiceover artists, and podcasters in the form of the Rode VideoMic NTG, a camera-mount mic that does not require any additional adapters to work with cameras, smartphones, tablets, portable recorders, and USB-equipped computers.
The VideoMic NTG offers tone settings that can be altered digitally, a focused directivity, and an internal battery that can be charged through USB. It also has a changeable gain setting. It has a clean tone to it and may be used for a wide variety of various uses. You may mount the VideoMic NTG on a camera or a boom pole due to the fact that it is robust, tiny, and lightweight thanks to the fact that it is built of aerospace-grade aluminum.
Because it features a 3.5mm TRRS output and comes with a TRRS cable, it may be used with a variety of devices, including cameras, portable recorders, mobile devices, and computers, all without the need for adapters. It is simple to prevent your recordings from becoming screwed up because the device provides you with a peak warning light, a -20 dB pad, and a -20 dB safety channel from which you may pick. The 3.5mm connector gives you the ability to listen to your signal in real-time through stereo headphones while you are using the device as a USB microphone.
When linked with the Rode SC15 USB Type-C to Lightning accessory cable, the VideoMic NTG may now be used with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod). This capability was introduced with the release of software version 2.0. (available separately).
4. The Rode VideoMic Pro Camera-Mount Shotgun Microphone
Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
The camera-mount shotgun microphone known as the Rode VideoMic Pro is an excellent choice for mobile journalists, vloggers, filmmakers working with a limited budget, and run-and-gun shooters who are looking for an affordable method to go up to the next level of quality. In comparison to the VideoMic, it is less noisy, has a higher sensitivity, and a wider range of adjustable settings.
The light can be powered by a single 9V battery for up to 70 hours, and a red LED will illuminate when the battery’s capacity is becoming low. It is simple to achieve the ideal loudness and tone in any one of a variety of settings thanks to a gain that can be adjusted and a bass roll-off that can be turned on or off.
This shotgun mic is very portable due to its compact size. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to lessen the amount of noise that is produced by vibrations. Because the windshield reduces the amount of noise caused by the wind, it is suitable for use when shooting outside.
Because it has a dual-mono output, you do not need to change the channel on the recording equipment that you are using because it is simple to connect to your camera using the 3.5mm TRS connection that is included with it.
5. Rode VideoMicro Ultracompact Camera-Mount Shotgun Microphone
Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Please note: for new iphones you need to purchase an adapter as iphone requires a 1/8th Jack
Switching from the microphone that comes with your camera or portable recorder to the Rode VideoMicro ultracompact camera-mount shotgun microphone will improve the sound quality, reduce wind noise, and not add any more weight to your setup. The VideoMicro is a straightforward and trustworthy microphone that receives its power from a socket and does not have any buttons or other control mechanisms. Because it functions properly and is simple to operate, it is an excellent choice for mobile journalists, vloggers, and those who film while moving quickly.
This shotgun microphone is ultracompact and ultralightweight, and it includes a detachable shockmount that you can mount straight to your DSLR, mirrorless, or video camera. This shockmount mounts directly to the camera, and it lowers the noise that is created by vibrations and handling of the camera. Because of the fuzzy windscreen that comes with it, there is significantly less noise from the wind while you are shooting outside with it.
Because it has a detachable and coiled 3.5mm TRS cable, it is simple to attach it to your camera. Additionally, because it has a dual-mono output, your recording device does not need to be tuned to a specific channel in order to capture audio.
6. The Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
Mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters that need a flexible camera-mount shotgun mic that works well on a boom pole will find the Rode VideoMic Pro+ to be an excellent investment. It is superior to the VideoMic Pro in several respects, including the number of power settings, the amount of tone adjustment, and the improved windshield.
The versatility of the VideoMic Pro+ allows it to cater to the requirements of filmmakers who use their equipment in a broad variety of indoor and outdoor environments. It can be powered by either a battery or a USB connection. In addition to that, it comes with a gain that can be adjusted as well as a variety of features that make things clearer.
This shotgun mic is very portable due to its compact size. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to lessen the amount of noise that is produced by vibrations. Because the improved windshield design produces less noise, it is an excellent option for use when shooting in open environments.
It is simple to connect to your camera thanks to the 3.5mm TRS output and the fact that the cable may be detached from the device. The selectable safety channel protects the sound from being accidentally tampered with by transmitting a duplicate signal at a lower level. This prevents the sound from being garbled.
7. The Rode VideoMic GO II Ultracompact Analog/USB Camera-Mount Shotgun Microphone
Rode VideoMic GO II Camera-mount Lightweight Directional Microphone
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
The Rode VideoMic GO II is a more compact and user-friendly version of the VideoMic NTG, which is a microphone that offers a high degree of adaptability. It is a significant departure from the original VideoMic GO. All of the components, including the body, the cable, and the shockmount, have been significantly improved.
It provides those who generate video content, run-and-gun filmmakers, voiceover artists, and podcasters with the sound of the well-known NTG shotguns in a practical camera-mount mic that is compatible with cameras, portable recorders, iOS, and Android mobile devices, and PCs that have USB ports.
You may attach the VideoMic GO II to your DSLR like a conventional shotgun microphone, or you can use a separate connection to link it to your smartphone, tablet, or laptop and use it as a digital microphone. Both of these uses are possible with the same device. In all instances, it offers concentrated direction, a low noise level, and insulation from vibrations coming from the outside environment.
The 3.5mm connector serves as a headphone output when the device is being used as a USB microphone. This allows you to listen to the live signal or playback coming from the device that is acting as the host. The fact that the microphone does not have any buttons or other control mechanisms makes it simple and quick to use. It may be powered by a plug or by a USB connection.
8. Sennheiser MKH 416-P48U3 Moisture-Resistant Shotgun Microphone
Sennheiser Professional MKH 416-P48U3 Short Shotgun Interference Tube Microphone
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Featuring high directivity, low self noise, high consonant articulation and feedback rejection
- Transformerless and fully floating balanced output
- Matte black all-metal body
With the moisture-resistant shotgun microphone model MKH 416-P48U3 from Sennheiser, you will be able to capture high-quality audio in challenging environments for your upcoming professional film, television program, or location recording. Because of its high output, low background noise, and pinpoint directivity, its sound is completely ready to be blended. In addition, there are no controls that require your attention, and the MKH 416-P48U3 is dependable enough to be used during high-pressure concerts.
When it comes to low to middle frequencies, the polar pattern of the microphone is hypercardioid, and when it comes to high frequencies, it has a lobar pattern. Because of this, it is able to reduce sound at 90° off-axis by about 10 decibels in the frequency range of 125 Hz to 2,000 Hz. Because of its wide frequency response, better consonant articulation, and high SPL handling, the MKH 416-P48U3 allows you to record speech, foley, and sound effects with full dynamics and clarity.
9. Hollyland LARK 150 Two-Person Compact Digital Wireless Microphone System (2.4 GHz, Black)
Hollyland Lark 150 Wireless Dual Microphone System,2.4GHz Digital Wireless Transmission with Charging...
Your two-person interview, YouTube video, documentary, or video blog can benefit from the addition of a pair of clip-on wireless mics if you use the Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System. This system comes in black.
The LARK 150 is a portable, cost-effective, and all-in-one solution for recording two subjects at once to your camera, smartphone, audio recorder, or any other device with a 3.5mm input jack. It has two ultra-small microphone transmitters and a receiver that work together to offer this solution. The transmitters are extremely small, and the receiver is even smaller.
Every one of the minuscule transmitters weighs less than one ounce and is equipped with a microphone that is able to pick up noises coming from any direction. This makes it simple to attach them to collars of shirts and lapels in order to conduct speedy interviews. The construction of the built-in microphones prevents them from shaking, and the noise reduction technology ensures that the audio you receive is of high quality and easy to comprehend.
If you insert the lavalier microphones that come with the transmitters into the 3.5mm input ports on the transmitters, the transmitters will give the appearance of being less evident than they actually are. The power button on the transmitter may double as a mute button for both directions with only a brief push of the button.
10. The Rode NTG5 is a short shotgun microphone that can handle moisture.
Rode NTG5 Shotgun Condenser Microphone Kit
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
It is a moisture-resistant shotgun microphone that allows you to record natural, uncolored sound indoors or outdoors for your next independent film, TV shoot or documentary project without making your rig too heavy. The Rode NTG5, which is shorter, lighter, and has a flatter bass response than the NTG3, is a shotgun microphone. It is also shorter and lighter than the NTG3.
As a result of its professional-grade characteristics, such as ultralow-noise circuitry, a smooth off-axis response, and a tight low end, it performs very well in a broad variety of on-location recording scenarios. In addition to that, it features a fluffy windscreen and a pistol grip shockmount that can be mounted to a boom pole so that you have additional possibilities.
As a result of the NTG5’s high degree of sensitivity, you won’t need to crank up the gain on your microphone preamp in order to get high output levels. The NTG5’s novel circular acoustic ports, gradual increase in high frequencies, and suppression of low bass frequencies, which lowers rumbling, contribute to the device’s crisp and clear sound quality.
There are no buttons or knobs, making the process of setting it up quite simple. Because of this, you are free to concentrate on the sound rather than altering the microphone settings. When RF bias technology and conformal coating are utilized, performance is guaranteed to be dependable even when subjected to severe conditions.
11. Rode Wireless GO II Single One-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit (2.4 GHz, Black)
Rode Wireless GO II Single Compact Digital Wireless Microphone System/Recorder Bundle with...
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 7-Hr Rechargeable Batteries + USB Power, Powerful Features/Customization via App
- USB Audio Interface Functionality, Up to 8 Mics on Set / 656' Range
The black Rode Wireless Go II system is superior to the original Wireless GO due to the fact that it can be used by two persons at once, that it has an onboard recorder, that it has a significantly longer range, and that it can be utilized in a number of different ways. It makes it possible for mobile journalists, vloggers, and videographers to add wireless audio to their setups in a swift and confident manner, regardless of the device they are using or their level of experience in the field.
The system is prepared to be used thanks to its safe Series IV 2.4 GHz digital transmission, its simple operation, and its built-in microphones (lavalier mics are sold separately). Because you are aware that the Wireless GO II is capable of transmitting high-quality sound up to 656 feet away, you are free to concentrate on taking the photo.
There are no complicated knobs or menus that need to be navigated. You need to turn it on, and you can get going. The information that you want may be easily viewed on the LCD screen, which is also quite easy to read. When you are ready for more, you can utilize the Rode app to gain access to a strong collection of functions as well as more methods to adjust the settings on your microphone.
12. Sennheiser EW 100 ENG G4 Wireless Combo Microphone System for Camera-Mount (A: 516 to 558 MHz)
Sennheiser ew 100 ENG G4 Wireless Microphone Combo System A1: (470 to...
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
The EW 100 ENG G4 was developed to be versatile enough to operate with a wide variety of assignments. You will be equipped with the tools necessary to deal with wireless issues on set and find out how to repair them.
The system includes an omnidirectional ME 2-II lavalier mic that is housed within a bodypack transmitter. This is an excellent item to have for interviews in which you are not permitted to use your hands. A plug-on transmitter that can be coupled to either a handheld dynamic microphone or a shotgun mic in order to achieve wireless booming is also included in the package (both types of mics are available separately).
For purposes such as recording clear voice or conversation for things like wedding and corporate films, documentaries, and video blogs, the camera-mount receiver may be mounted to a camcorder or DSLR/mirrorless camera.
Because the EW 100 ENG G4 is compatible with previous generations of evolution systems, you are free to combine plug-on, portable, and bodypack transmitters with G4 receivers, G3 receivers, and G2 receivers. Additionally, it is compatible with systems based on the EW 500.
13. Sennheiser AVX-MKE2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz)
Sennheiser AVX Digital Wireless Microphone System - MKE2 Lavalier Pro Set
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- AVX automatically selects operating frequencies to eliminate interference; Frequency response: 20 Hz - 20000 Hz
- 2 year warranty when purchased from an authorized Sennheiser dealer
Professional videographers, video journalists, and video bloggers all benefit from the use of a dependable wireless microphone system, such as the Sennheiser AVX-MKE2 SET. It has a very compact size and is extremely simple to transport. It is so simple to operate that having it on set is equivalent to having a sound engineer there to assist with audio responsibilities.
This self-configuring digital system was designed to be simple to operate without sacrificing the high-quality music it produces. It will take care of time-consuming tasks like setting up the frequency and changing the mic level for you, allowing you to begin filming in a matter of seconds rather than minutes. You can now direct your attention to the other crucial aspects of a project that require it, and you won’t have to worry about whether or not the audio you capture with your camcorder, DSLR, or mirrorless camera will be clean and undistorted.
This package comes with a professional MKE 2 omnidirectional small lavalier mic in addition to a bodypack transmitter and a camera-mount receiver. It works very well for projects like wedding videos, corporate videos, hands-free interviews, broadcast TV, and documentary films.
