For a long time, Canon has been dropping hints that a more compact design for its SLR cameras would be one way for the company to compete with mirrorless cameras produced by Nikon, Sony, Olympus, and Panasonic. By unveiling the EOS 100D/Rebel SL1, Canon has shown all of its cards to potential customers.
“the world’s smallest and lightest APS-C DSLR” is how the Rebel SL1 is marketed by its manufacturer, Canon. It has an extremely compact body despite incorporating the most desirable characteristics of Canon’s Rebel line of DSLR cameras.
Even though it has the same 18-megapixel resolution, DIGIC 5 processor, and, presumably, image quality, the Canon EOS Rebel SL1 is significantly more compact and lighter than the Canon EOS Rebel T5i. This is due to the fact that the internal components have been reduced in size, which has resulted in a more compact shutter mechanism, a more compact sensor module, and a circuit board that has a lower footprint.
In point of fact, the Canon EOS Rebel SL1 is the most compact DSLR that we have come across to this point, and its size is comparable to that of “SLR-style” mirrorless cameras such as the Panasonic Lumix DMC-G5.
It is wonderful that Canon was able to preserve most of the controls and functions that are typically available on a camera in the Rebel series despite the small size of the Rebel SL1, which is an incredible accomplishment in and of itself.
Users who are accustomed to operating Canon DSLRs will be comfortable with the controls, including the front dial and the buttons for ISO, exposure compensation, and AF/AE lock. The touchscreen on this camera does not move, but it has the same resolution as the touchscreens on the Rebel T4i and T5i.
The Canon Rebel SL1 features the updated version of the company’s Hybrid CMOS AF technology, which was introduced in the previous model, the Rebel T4i.
Although Canon does not disclose how much faster their hybrid phase/contrast detect technology can focus, the newest version covers 80 percent more of the live view area than its predecessor did. Because of this, the option should become one that is far more helpful than the one on the EOS M and the T4i.
Specifications for the Canon EOS 100D and the Rebel SL1
- A DSLR camera that has a compact body and weighs 400 grams (14 ounces).
- APS-C sensor with 18 megapixels and a 14-bit DIGIC 5 processor
- The “Hybrid CMOS AF II” mechanism encompasses 80% of the frame in its coverage area.
- When the camera is set to movie mode, the focusing feature stays active at all times, and it tracks the subject.
- ISO 100-12800 (expandable to ISO 25600)
- capturing video at a rate of 4 frames per second in 1080 at 30 frames per second, using a monoaural microphone (stereo input jack)
- 3-inch capacitive touch-screen that is permanently installed (same as EOS M)
- 9-point AF (central sensor is cross-type)
- Controls for the image processing effect known as “Creative Filters” were shown live on the screen.
Best Canon EOS Rebel SL1 Microphones
1. Rode VideoMic NTG Hybrid Analog/USB Camera-Mount Shotgun Microphone
Rode VideoMic NTG Camera-mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
The Rode VideoMic NTG gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters access to the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that does not require any additional adapters to work with cameras, smartphones, tablets, portable recorders, and computers that are equipped with a USB port.
A concentrated directivity, constantly changeable gain, digitally switched tone controls, and an internal battery that can be recharged via USB are all features of the VideoMic NTG. It features high-fidelity sound reproduction and a wide variety of applications. The VideoMic NTG is a versatile microphone that can be mounted on a camera or a boom pole due to the fact that it is composed of aerospace-grade aluminium that is compact and lightweight.
Because it has a 3.5mm TRRS output and comes with a TRRS cable, it is compatible with digital cameras, portable recorders, mobile devices, and computers without the need for additional adapters in any of those situations. With the assistance of a peak warning light, a -20 dB pad, and a -20 dB safety channel from which you may select, you will have no trouble preventing your recordings from becoming distorted in any way. When you are using it as a USB microphone, the 3.5mm connector functions as a stereo headphone output, which enables you to listen to your signal in real-time.
When combined with the Rode SC15 USB Type-C to Lightning accessory cable, the MFi certification allows the VideoMic NTG to be used with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod). This certification was introduced with the release of software version 2.0. (available separately).
2. Sennheiser MKE 600 Shotgun Microphone
Sennheiser Professional MKE 600 Shotgun Microphone with XLR-3 to 3.5mm Connector for...
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Switchable "Low Cut" filter: Minimizes wind noise
- Phantom or battery powering: Because some video cameras/ camcorders do not provide phantom power
- Supplied with foam windshield and shock mount
If you want to increase the sound quality of your movies, replace the microphone that is already integrated into your camera with the Sennheiser MKE 600 shotgun microphone, which can be powered by either batteries or phantom power. Because of its concentrated directionality and resistance to structure-borne noise, it is a strong choice for a broad variety of projects. This includes anything from nature shows and documentaries to indie films and web series.
Due to the excellent sensitivity of the MKE 600 as well as its low-noise circuitry, it is feasible to improve the sound quality of noisy camera preamps without employing a significant amount of gain. The MKE 600 is able to improve voice clarity while also lowering rumbling and other types of low-frequency noise thanks to its low-cut filter, which has a setting that allows it to be adjusted to 100 Hz. In addition to this, the frequency response of the speaker includes a tiny boost in the treble, which helps to make speech seem more distinct.
The metal housing is both robust and lightweight, meaning that it won’t add unnecessary weight to your setup while yet providing a high level of durability. You can attach the MKE 600 to a camera or a tripod using the shoe shockmount that comes included with the device. You may either use the adapter cable that is included with the microphone to plug it into the 3.5mm mic input of a camera or connect the XLR output of the microphone to an XLR mic preamp.
3. Rode VideoMic Pro Camera-Mount Shotgun Microphone
Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
The camera-mount shotgun microphone from Rode, known as the VideoMic Pro, is an excellent choice for mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters who are looking for an affordable method to go to the next level of quality. In comparison to the VideoMic, it is less noisy, more sensitive, and offers a wider range of options for customization.
The light can be powered by a single 9V battery for up to 70 hours, and a red LED will illuminate when the charge is running low. It is simple to get the ideal volume and tone for a diverse variety of contexts thanks to the adjustable gain and the bass roll-off feature, both of which can be toggled on and off.
This shotgun microphone is quite portable and doesn’t weigh much. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise caused by vibrations. Because the windshield reduces the amount of noise caused by the wind, it is suitable for use when shooting outside.
It is simple to connect to your camera thanks to the 3.5mm TRS connection that is included with it, and the dual-mono output ensures that you do not need to change the channel on the recording equipment you are using.
4. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
Mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters that want a flexible camera-mount shotgun mic that also performs well when mounted on a boom pole will find the Rode VideoMic Pro+ to be an excellent investment. In comparison to the VideoMic Pro, it possesses a redesigned windshield in addition to additional power options, better tonal control, and more.
Because it can be powered by either a battery or a USB connection, the VideoMic Pro+ is able to cater to the requirements of videographers working in a wide variety of environments, including those that are both indoors and outside. Additionally, it has enhanced RF immunity, a gain that can be adjusted, as well as numerous features that boost clarity.
This shotgun microphone is quite portable and doesn’t weigh much. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise caused by vibrations. Because the redesigned shape of the windscreen reduces the amount of noise caused by the wind, it is an excellent option for filming outside.
The fact that it has a detachable wire and a 3.5mm TRS output makes it simple to attach to your camera. By transmitting a duplicate signal at a reduced level, the chosen safety channel prevents the original signal from becoming distorted in the event of an accidental error.
5. Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System (2.4 GHz, Black)
Hollyland Lark 150 Wireless Dual Microphone System,2.4GHz Digital Wireless Transmission with Charging...
Your two-person interview, YouTube video, documentary production, or video blog might all benefit from the addition of a pair of clip-on wireless mics if you use the Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System. This system comes in black.
The LARK 150 is a portable, cost-effective, and all-in-one solution for recording two subjects at once to your camera, smartphone, audio recorder, or any other device with a 3.5mm input jack. It has two ultra-compact microphone transmitters and a receiver that work together to offer this solution. The transmitters are extremely small, and the receiver is even smaller.
Each of the micro transmitters weighs less than one ounce and incorporates a microphone that can pick up sound from any direction. Because of this, it is simple to attach them to lapel collars and shirts in order to conduct speedy interviews. The built-in microphones feature a design that prevents them from shaking, and they also include intelligent noise reduction to ensure that the audio you receive is of high quality and easy to comprehend.
Plugging the lavalier microphones into the 3.5mm input ports on the transmitters will give you a less noticeable appearance. These microphones are included with the transmitters and may be used with them. The power button on the transmitter also functions as a two-way mute button, and it only requires a brief touch to activate.
6. Rode VideoMicro Ultracompact Camera-Mount Shotgun Microphone
Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Please note: for new iphones you need to purchase an adapter as iphone requires a 1/8th Jack
Switching from the built-in microphone on your camera or portable recorder to the Rode VideoMicro ultracompact camera-mount shotgun microphone will provide you with superior sound quality, and reduced wind noise, and will not add any additional weight to your setup. The VideoMicro is a straightforward and dependable microphone that draws its power from an external socket and does not have any controls or switches. Because of how simple it is to operate and how effectively it performs, it is perfect for mobile journalists, vloggers, and run-and-gun shooters.
This shotgun microphone is ultracompact and ultralightweight, and it includes a detachable shockmount that you can mount straight to your DSLR, mirrorless, or video camera. It lowers noise caused by vibrations and handling of the camera, and it mounts directly to the camera. Because the included fuzzy windscreen reduces the amount of noise caused by the wind, this camera is an excellent option for shooting in the open air.
It is simple to attach to your camera thanks to the detachable, coiled 3.5mm TRS wire, and the dual-mono output means that your recording device does not need to be tuned to a specific channel in order to capture audio.
7. Rode VideoMic GO II Ultracompact Analog/USB Camera-Mount Shotgun Microphone
Rode VideoMic GO II Camera-mount Lightweight Directional Microphone
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
The ultra-compact shotgun microphone from Rode, known as the VideoMic GO II, is essentially a scaled-down and simpler version of the extremely flexible VideoMic NTG. When compared to the original VideoMic GO, this model features significant advancements in a variety of areas, including the body, shockmount, cable, and others.
It provides video content creators, run-and-gun filmmakers, voiceover artists, and podcasters with the sound of the well-known NTG shotguns in a convenient camera-mount mic that is compatible with cameras, portable recorders, iOS, and Android mobile devices, and computers that are equipped with a USB port.
You may attach the VideoMic GO II to your DSLR and use it as a conventional shotgun microphone, or you can transform it into a digital microphone by using a cable that you purchase separately and connecting it to your smartphone, tablet, or laptop. It provides, in either scenario, concentrated directivity, minimal noise, and insulation from vibrations coming from the outside.
The 3.5mm connector functions as a headphone output when the device is being used as a USB microphone. This allows you to listen to the live signal or playback coming from the device that is acting as the host. Because it does not have any buttons or switches, using the microphone is a simple and quick process. It can be powered by either a standard wall outlet or a USB port.
8. Sennheiser MKH 416-P48U3 Moisture-Resistant Shotgun Microphone
Sennheiser Professional MKH 416-P48U3 Short Shotgun Interference Tube Microphone
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Featuring high directivity, low self noise, high consonant articulation and feedback rejection
- Transformerless and fully floating balanced output
- Matte black all-metal body
With the moisture-resistant shotgun microphone model MKH 416-P48U3 from Sennheiser, you will be able to capture high-quality audio in challenging environments for your upcoming professional film, television program, or location recording. The sound that it produces is ready to be combined as a result of its pinpoint directivity, low noise, and high output. In addition, there are no controls for which you need to be concerned, and the MKH 416-P48U3 provides the level of dependability that is required for high-pressure performances.
The polar pattern of the microphone varies from hypercardioid to lobar as the frequency range moves from low to midrange to high. The hypercardioid pattern is present at low to midrange frequencies. Because of this, it is able to attenuate sound at 90-degree off-axis positions by about 10 decibels in the frequency range of 125 to 2,000 hertz. You will be able to record speech, foley, and sound effects with full dynamics and clarity if you choose a microphone that has a wide frequency response, better consonant articulation, and high SPL handling like the MKH 416-P48U3.
9. Rode NTG5 Moisture-Resistant Short Shotgun Microphone
Rode NTG5 Shotgun Condenser Microphone Kit
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
It is a moisture-resistant shotgun microphone that allows you to record natural, uncolored sound indoors or outdoors for your next independent film, TV shoot or documentary project without making your rig too heavy. The Rode NTG5, which is shorter, lighter, and has a flatter bass response than the NTG3, is a shotgun microphone. It is also shorter and lighter than the NTG3.
As a result of its professional-grade characteristics, such as ultralow-noise circuitry, a smooth off-axis response, and a tight low end, it performs very well in a broad variety of location recording scenarios. Additionally, it includes a fuzzy windscreen as well as a pistol grip shockmount that has the capability of being linked to a boom pole in order to provide additional alternatives.
Since the NTG5 has such a high degree of sensitivity, you won’t need to turn up the gain on your microphone preamp very much in order to get robust output levels. Because of its cutting-edge circular acoustic ports, gradual increase in high frequencies, and suppression of low bass frequencies that reduce rumbling, the NTG5 produces a sound that is crisp and distinct. Because it does not have any buttons or knobs, it is very simple to configure. This frees you up to concentrate on the sound rather than fumbling about with the microphone settings. Even in severe conditions, performance may be guaranteed to be dependable thanks to RF-bias technology and conformal coating.
10. Sennheiser EW 100 ENG G4 Camera-Mount Wireless Combo Microphone System (A: 516 to 558 MHz)
Sennheiser EW 100 ENG G4 Camera-Mount Wireless Microphone System (G: 566 to...
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
The EW 100 ENG G4 was designed to be compatible with a diverse array of different kinds of software. This provides you with the tools you require to adapt to and find solutions for, the wireless challenges that may arise on set.
This system has a bodypack transmitter that comes equipped with an omnidirectional ME 2-II lavalier mic. This configuration is ideal for interviews in which you don’t want to use your hands to take notes or answer questions. In addition, you will receive a plug-on transmitter that can be coupled to a handheld dynamic microphone of your choosing for man-on-the-street interviews or to a shotgun mic for wireless booming. Both of these applications are covered by this package (both types of mics are available separately).
For projects such as wedding and corporate films, documentaries, and video blogs, the camera-mount receiver may be mounted to a camcorder or DSLR/mirrorless camera to capture clear voice or dialogue.
Because the EW 100 ENG G4 is backward compatible with earlier evolution systems, you are free to combine bodypack, portable, and plug-on transmitters with G4 receivers, G3 receivers, and G2 receivers. Additionally, it is compatible with systems that make use of EW 500.
11. Rode Wireless GO II Single 1-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit (2.4 GHz, Black)
Rode Wireless GO II Single Compact Digital Wireless Microphone System/Recorder Bundle with...
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 7-Hr Rechargeable Batteries + USB Power, Powerful Features/Customization via App
- USB Audio Interface Functionality, Up to 8 Mics on Set / 656' Range
The black Rode Wireless Go II system is an upgrade from the original Wireless GO in that it comes with a significantly greater range, inbuilt recording capabilities, the ability to shoot with two people simultaneously, and a variety of versatile output choices. It gives videographers, vloggers, and mobile journalists the ability to add wireless audio to their setup with complete confidence and in a short amount of time, regardless of the device, they’re recording to or how much expertise they have.
The system is ready to use with only the push of a button thanks to its built-in mics, its simple operation, its secure Series IV 2.4 GHz digital transmission (lavalier mics are available for purchase separately), and so on. Knowing that the Wireless GO II is transmitting high-quality audio up to 656 feet away allows you to concentrate on obtaining the photo you want.
There are no menus or dials that are overly complex. To use it, you need only turn the power on. The information that you want may be seen unambiguously on the LCD screen, which is of high quality. When you’re ready for more, you may access a strong range of functions and additional ways to adjust the settings by using the Rode app.
12. Sennheiser AVX-MKE2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz)
Sennheiser AVX Digital Wireless Microphone System - MKE2 Lavalier Pro Set
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- AVX automatically selects operating frequencies to eliminate interference; Frequency response: 20 Hz - 20000 Hz
- 2 year warranty when purchased from an authorized Sennheiser dealer
A dependable wireless microphone system for professional videographers, video journalists, or video bloggers, the Sennheiser AVX-MKE2 SET is ultra-compact and designed to fit in the palm of your hand. Because it is so simple to use, having it on set is almost identical to having a sound engineer there to handle audio responsibilities.
The sound quality was not compromised in any way throughout the development of this user-friendly, self-configuring digital system. Because time-consuming chores like as setting up the frequency and changing the mic level are handled by it, you may begin filming in a matter of seconds rather than minutes. You can now direct your attention to the other crucial aspects of a production that require your attention, and you won’t have to worry about whether or not the audio you capture with your camcorder, DSLR, or mirrorless camera will be sharp and clear.
This package comes with a bodypack transmitter, a camera-mount receiver, and a high-quality MKE 2 omnidirectional tiny lavalier mic for professional use. It works very well for projects like as broadcast TV and documentaries, as well as wedding and corporate films, hands-free interviews, and recordings documenting other types of events.
