For a long time, Canon has been dropping hints that a more compact design for its SLR cameras would be one way for the company to compete with mirrorless cameras produced by Nikon, Sony, Olympus, and Panasonic. By unveiling the EOS 100D/Rebel SL1, Canon has shown all of its cards to potential customers.
The EOS Ra is a variation of Canon’s full-frame mirrorless EOS R camera that is built for shooting images of the night sky. Because its infrared filter is four times more sensitive to hydrogen-alpha radiation, it is ideal for photographing nebulae and other interstellar phenomena. You are able to focus extremely precisely thanks to the capability of making the scene up to 30 times larger.
Aside from that, the EOS Ra is identical to the standard model in every other respect. It possesses the same characteristics, such as a 30.3-megapixel CMOS sensor with dual-pixel autofocus. When recording with the EOS R, you have the option of using either the 14-bit (CRW) or compressed (C-RAW) formats.
It is able to continue shooting at 8 frames per second when using single autofocus and 5 frames per second while using continuous autofocus. The Dual Pixel AF technology is capable of functioning in conditions as low as -6EV of light and features a staggering 5655 AF points from which the user may select.
The compact body has an OLED electronic viewfinder with 3.69 million dots and a touchscreen LCD display with 3.2 inches and 2.1 million dots that can be rotated in any direction. An OLED display may be found on the top plate, which provides information on the shooting.
The EOS R comes equipped with a Mini-HDMI port, a USB-C connection, and a 3.5mm port that may be used to connect an external microphone. According to CIPA, the battery can fire 370 bullets before needing to be recharged (450 using Power Saving mode). There is a grip for the battery. There is only one memory card slot available on the EOS R, and it is compatible with UHS-II cards.
Recording 4K Ultra High Definition video at a frame rate of up to 29.97 frames per second is possible when using ALL-I or IBP compression with a maximum bit rate of 480 MBps. If you want video at 60 frames per second, you’ll need to upgrade to Full HD.
Best Canon EOS Ra Microphones
1. Sennheiser MKE 600 Shotgun Microphone
Sennheiser Professional MKE 600 Shotgun Microphone with XLR-3 to 3.5mm Connector for...
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
- High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
- Switchable "Low Cut" filter: Minimizes wind noise
- Phantom or battery powering: Because some video cameras/ camcorders do not provide phantom power
- Supplied with foam windshield and shock mount
If you want the sound quality of your movies to be better, you should stop using the microphone that is already integrated into your camera and instead use the Sennheiser MKE 600 shotgun microphone, which can be powered by either batteries or phantom power. Because of its concentrated directionality and resistance to structure-borne noise, it is an excellent choice for a broad variety of projects. This includes anything from independent films and web series to nature shows and documentaries.
Because of its high sensitivity and low-noise circuitry, the MKE 600 makes it feasible to improve the sound quality of noisy camera preamps without resorting to adding a significant amount of gain. The MKE 600 is able to improve the clarity of voice while simultaneously minimizing rumbling and other types of low-frequency noise since it has a natural roll-off at 40 Hz and a low-cut filter that can be adjusted at 100 Hz. Additionally, its frequency response features a little increase in the treble, which makes speech seem more distinct.
Because the housing is made of metal, which is both sturdy and lightweight, it won’t add much weight to your rig, yet it will still be durable. The shoe shockmount that comes included with the MKE 600 gives you the ability to mount the microphone on a tripod or camera. Connect the XLR output of the microphone to an XLR mic preamp, or use the adapter cable that was included with the microphone to plug it into the 3.5mm mic input of a camera.
2. Rode VideoMic NTG Hybrid Analog/USB Camera-Mount Shotgun Microphone
Rode VideoMic NTG Camera-mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
- Built-in Rechargeable Lithium-ion Battery
- Annular Line Tube Technology
- USB Compatibility
The Rode VideoMic NTG provides video content creators, run-and-gun filmmakers, voiceover artists, and podcasters with the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that does not require any additional adapters to work with cameras, smartphones, tablets, portable recorders, and computers that are equipped with a USB port.
The VideoMic NTG is equipped with digitally switched tone controls, concentrated directivity, continuously variable gain, and an internal battery that can be recharged over USB. It possesses excellent sound quality and may be utilized in a variety of contexts. The VideoMic NTG may be mounted on a camera or a boom pole due to the fact that it is built of aerospace-grade aluminum, which enables it to be sturdy, compact, and lightweight.
It is compatible with digital cameras, portable recorders, mobile devices, and computers without the need for additional adapters thanks to its 3.5mm TRRS output and the TRRS cable that is included in the package.
A peak warning light, a -20 dB pad, and a -20 dB safety channel that you may select all work together to make it simple and straightforward for you to prevent the recordings you make from becoming distorted. When you use it as a USB microphone, the 3.5mm connector functions as a stereo headphone output, allowing you to listen to your signal in real-time.
The VideoMic NTG is now MFi-certified for usage with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod) when linked with the Rode SC15 USB Type-C to Lightning accessory cable. This certification was achieved with the release of software version 2.0. (available separately).
3. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Automatic Power Function
- Digital Switching
The Rode VideoMic Pro+ is an excellent choice for mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters that want a versatile camera-mount shotgun mic that also functions well when attached to a boom pole. When compared to the VideoMic Pro, it includes a redesigned windshield and additional power choices, as well as a better tone control.
Because it can be powered by either a battery or a USB connection, the VideoMic Pro+ is able to cater to the requirements of videographers working in a wide range of environments, including both indoor and outdoor scenarios. In addition to that, it has enhanced RF immunity, a gain that can be adjusted, as well as a number of features that boost clarity.
The shotgun microphone is both compact and lightweight. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise that vibrations cause. Because the redesigned shape of the windscreen reduces the amount of noise that is produced by the wind, it is an excellent option for filming outside.
It is very simple to attach to your camera thanks to the 3.5mm TRS output and the detachable cord. Because it sends out a duplicate signal at a reduced volume, the chosen safety channel prevents the audio from becoming distorted inadvertently.
4. Rode VideoMic Pro Camera-Mount Shotgun Microphone
Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
- Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
Mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters who are looking for an affordable method to step up to the next level of quality may find the camera-mount shotgun microphone from Rode, the Rode VideoMic Pro, to be an excellent option. When compared to the VideoMic, it is less noisy, has a higher sensitivity, and has more parameters that may be adjusted.
One 9V battery can run the light for up to 70 hours, and a red LED will illuminate when the battery’s capacity is becoming low. It is simple to get the appropriate volume and tone for a diverse variety of contexts thanks to a gain that can be adjusted and a bass roll-off that can be toggled on and off.
The shotgun microphone is both compact and lightweight. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise that vibrations cause. The presence of the windshield makes it conducive to shooting in the open air by reducing the amount of noise caused by the wind.
Because it has a dual-mono output, you won’t need to change the channel on your recording equipment, and the 3.5mm TRS connection that is included in the package makes it simple to connect to your camera.
5. Rode VideoMicro Ultracompact Camera-Mount Shotgun Microphone
Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
- No battery required (powered by camera plug-in power - min 3V)
- Includes Rycote lyre shock mount and deluxe furry windshield
- Please note: for new iphones you need to purchase an adapter as iphone requires a 1/8th Jack
Change the microphone that is built into your camera or portable recorder to the Rode VideoMicro ultracompact camera-mount shotgun microphone for improved sound quality and reduced wind noise without adding additional weight to your setup. The VideoMicro is a straightforward and dependable microphone that receives its power from an external socket and does not have any controls or switches of its own. It is simple to use and performs quite well, making it an excellent choice for mobile journalists, vloggers, and run-and-gun shooters.
This shotgun microphone is ultracompact and ultralightweight, and it features a detachable shockmount that you can mount straight to your DSLR, mirrorless, or video camera. This shockmount eliminates noise caused by vibrations and handling of the camera, and it mounts directly to the microphone. Because it comes with a fuzzy windscreen, it reduces the amount of noise caused by the wind, making it a suitable option for shooting outside.
Because it has a detachable and coiled 3.5mm TRS cable, it is simple to attach it to your camera. Additionally, because it has a dual-mono output, your recording equipment does not need to be configured to a particular channel.
6. Rode VideoMic GO II Ultracompact Analog/USB Camera-Mount Shotgun Microphone
Rode VideoMic GO II Camera-mount Lightweight Directional Microphone
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
- Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield
The Rode VideoMic GO II ultra-compact shotgun microphone is a smaller and more basic version of the VideoMic NTG, which is a very flexible shotgun microphone from Rode. The original VideoMic GO has been completely overhauled to make way for this new model, which features several enhancements to its body, shockmount, cable, and more.
It provides video content creators, run-and-gun filmmakers, voiceover artists, and podcasters with the sound of the well-known NTG shotguns in a handy camera-mount mic that is compatible with cameras, portable recorders, iOS, and Android mobile devices, and PCs that have USB ports.
You may attach the VideoMic GO II to your DSLR and use it as a conventional shotgun microphone, or you can transform it into a digital microphone and use it with your smartphone, tablet, or laptop by using a cable that you will need to purchase separately. It provides, in either scenario, concentrated directivity, minimal noise, and insulation from vibrations coming from the outside.
When the device is being used as a USB microphone, the 3.5mm connector functions as a headphone output, allowing you to listen to either the live signal or playback coming from the host device. The fact that the microphone may be powered by either a standard wall outlet or a USB port, as well as the absence of any knobs or switches, makes it exceptionally simple and speedy to use.
7. Sennheiser MKH 416-P48U3 Moisture-Resistant Shotgun Microphone
Sennheiser Professional MKH 416-P48U3 Short Shotgun Interference Tube Microphone
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Compact pressure-gradient microphone with short interference tube for film, radio and television
- Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
- Featuring high directivity, low self noise, high consonant articulation and feedback rejection
- Transformerless and fully floating balanced output
- Matte black all-metal body
A moisture-resistant shotgun microphone like the Sennheiser MKH 416-P48U3 gives you the ability to capture high-quality audio in challenging environments, making it ideal for use in your next professional film, television program, or location recording. It has a sound that is ready to be blended as a result of its high output, low noise, and sharp directivity. In addition, there are no controls for which you need to be concerned, and the MKH 416-P48U3 provides the level of dependability that is necessary for high-pressure performances.
The polar pattern of the microphone is hypercardioid at low to medium frequencies and lobar at high frequencies; however, the pattern changes depending on the frequency. Because of this, it is able to attenuate sound from 125 Hz to 2 kHz by about 10 dB at 90° off-axis sites. Recording conversation, foley, and sound effects with full dynamics and clarity is now possible with the help of the MKH 416-P48U3’s broad frequency response, increased consonant articulation, and high SPL handling.
8. Rode NTG5 Moisture-Resistant Short Shotgun Microphone
Rode NTG5 Shotgun Condenser Microphone Kit
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
- Shotgun Condenser Microphone with Supercardioid Polar Pattern
- Annular Line Tube Technology
- Moisture-resistant Design
It is a moisture-resistant shotgun microphone that allows you to record natural, uncolored sound indoors or outdoors for your next independent film, TV shoot or documentary project without making your rig too heavy. The Rode NTG5, which is shorter, lighter, and has a flatter bass response than the NTG3, is a shotgun microphone. It is shorter and lighter than the NTG3, and it has a flatter bass response.
As a result of its professional-grade components, which include ultralow-noise circuitry, a smooth off-axis response, and a tight low end, it performs very well in a broad variety of location recording scenarios. In addition to that, it includes a fuzzy windscreen and a pistol grip shockmount that can be linked to a boom pole to provide you with more alternatives.
Because of its high sensitivity, the NTG5 eliminates the need to turn up the gain on the microphone preamp in order to achieve high output levels. The NTG5’s novel circular acoustic ports, gradual increase in high frequencies, and suppression of low bass frequencies that lessen rumbling all contribute to the device’s clean sound quality. Because there are no buttons or knobs, it can be set up in a matter of minutes. Because of this, you are able to concentrate on the sound rather than dealing with the settings of the microphone. Even in severe settings, performance can always be relied upon when RF-bias technology and conformal coating are utilized.
9. Rode Wireless GO II Single 1-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit (2.4 GHz, Black)
Rode Wireless GO II Single Compact Digital Wireless Microphone System/Recorder Bundle with...
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
- Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
- Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
- 7-Hr Rechargeable Batteries + USB Power, Powerful Features/Customization via App
- USB Audio Interface Functionality, Up to 8 Mics on Set / 656' Range
The black Rode Wireless Go II system is an improvement over the original Wireless GO by adding capabilities like as two-person shoots, onboard recording, a significantly greater range, and versatile output options. Additionally, the range has been increased. No matter what device they’re shooting on or how much expertise they have, it enables videographers, vloggers, and mobile journalists to add wireless audio to their setup with complete confidence and in a short amount of time.
The system is ready to use at the push of a button thanks to its user-friendly interface, built-in microphones (lavalier mics are available for purchase separately), its secure Series IV 2.4 GHz digital transmission, and its ease of operation. You are able to concentrate on taking the photo since you are aware that the Wireless GO II is transmitting high-quality audio up to 656 feet away.
There are no convoluted menus or dials to navigate. You need to turn it on, and you can get going. The information that you want may be seen unmistakably on the crystal-clear LCD screen. When you’re ready for more, you can utilize the Rode app to gain access to a strong range of functions and more methods to adjust the settings on your Rode microphone.
10. Sennheiser EW 100 ENG G4 Camera-Mount Wireless Combo Microphone System (A: 516 to 558 MHz)
Sennheiser EW 100 ENG G4 Camera-Mount Wireless Microphone System (G: 566 to...
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
- Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
- Easy to use and fast setup time
- Range: up to 100 meters/ 330 feet
- Up to 8 hours of operation time
- Excellent sound and construction quality
The EW 100 ENG G4 is designed to be compatible with a diverse collection of software programs. This provides you with the tools you need to adapt to and address the wireless challenges that may arise while you are filming.
This system features a bodypack transmitter that comes equipped with an omnidirectional ME 2-II lavalier mic. This configuration is ideal for interviews in which you do not want to use your hands to take notes or answer questions. A plug-on transmitter that can be linked to a handheld dynamic microphone of your choice for man-on-the-street interviews or to a shotgun mic for wireless booming is included in this package as well (both types of mics are available separately).
It is possible to record clear voice or conversation for projects such as wedding and corporate films, documentaries, and video blogs by attaching the camera-mount receiver to a camcorder or DSLR/mirrorless camera.
Because the EW 100 ENG G4 is backward compatible with earlier evolution systems, you are free to combine any G4/G3/G2/G1 receivers with any bodypack, portable, or plug-on transmitters you choose. It is also compatible with systems that employ EW 500.
11. Sennheiser AVX-MKE2 SET Digital Camera-Mount Wireless Omni Lavalier Microphone System (1.9 GHz)
Sennheiser AVX Digital Wireless Microphone System - MKE2 Lavalier Pro Set
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- Ultra compact AVX receiver plugs directly into the XLR audio input.
- AVX switches on and off automatically with the camera using P48 Phantom Power.
- AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
- AVX automatically selects operating frequencies to eliminate interference; Frequency response: 20 Hz - 20000 Hz
- 2 year warranty when purchased from an authorized Sennheiser dealer
A dependable wireless microphone system, the Sennheiser AVX-MKE2 SET is ideal for professional videographers, video journalists, or video bloggers due to its ultra-compact design. It is so simple to operate that having it on set is equivalent to having a sound engineer there to take care of audio responsibilities.
This self-configuring digital system was designed to be simple to operate without compromising the sound quality in any way. It will take care of time-consuming processes like as setting up the frequency and changing the mic level for you, allowing you to begin filming in a matter of seconds. You can now direct your attention to the other essential aspects of a project that require it, safe in the knowledge that the audio you capture with your camcorder, DSLR, or mirrorless camera will be of the highest possible quality.
This package comes complete with a bodypack transmitter, a professional MKE 2 omnidirectional small lavalier mic, and a camera-mount receiver. It works really well for projects like as broadcast TV and documentaries, as well as wedding films, corporate videos, and hands-free interviews.
12. Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System (2.4 GHz, Black)
Hollyland Lark 150 Wireless Dual Microphone System,2.4GHz Digital Wireless Transmission with Charging...
You’ll be able to enhance the sound quality of your two-person interview, YouTube video, documentary production, or video blog with the help of Hollyland’s LARK 150 2-Person Compact Digital Wireless Microphone System, which comes in a sleek black finish.
The LARK 150 is a portable, cost-effective, and all-in-one solution that features two ultra-compact microphone transmitters and a receiver that work together to offer a solution for recording two subjects simultaneously to your camera, smartphone, audio recorder, or any other device with a 3.5mm input jack.
Every one of the minuscule transmitters weighs less than one ounce and incorporates an omnidirectional microphone into its design. This makes it simple to attach them to shirts and lapel collars in preparation for speedy interviews. The built-in microphones feature a design that prevents them from shaking and are equipped with intelligent noise reduction to ensure that the audio you receive is of high quality and easy to comprehend.
You may utilize the lavalier mics that come with the transmitters and connect them to the 3.5mm input ports on the transmitters for a less noticeable look. This option is available to you. When you give it a quick press, the power button on the transmitter may also function as a mute button for both directions.
