Gary
Are you looking for the best lenses that are compatible with the Canon EOS 5D Mark IV? We have compiled a list of the best lenses that are suggested for use with the Canon EOS 5D Mark IV DSLR camera. These lenses cover a variety of photographic applications, such as portraits, weddings, landscapes, streets, macro, movies, sports, and wildlife.
The Canon EOS 5D Mark IV DSLR camera is an excellent full-frame all-rounder for professionals and enthusiasts alike. It has a 30.4MP full-frame CMOS sensor with Dual Pixel autofocus, excellent high ISO quality, 7fps burst shooting, increased dynamic range, Dual Pixel Raw, 4K/30p video, as well as a solid build and improved weather sealing. Some examples of these types of photographers include wedding and portrait photographers, photojournalists, nature and landscape photographers, and event and studio shoot However, what are the greatest lenses that may be used in conjunction with the Canon EOS 5D Mark IV?
Therefore, if you are one of the fortunate people who have already purchased a Canon 5D Mark IV (from retailers such as Amazon, B&H, or Adorama), the next step is to locate the lenses that are most suitable for use with your Canon 5D Mark IV DSLR camera. In order to assist you in getting a shot that looks like it was taken by a professional, we have reviewed all of the lenses that Canon and other companies have to offer and have chosen the best lenses for the Canon EOS 5D Mark IV DSLR camera based on price, functionality, and high image quality.
These lenses range from wide-angle to telephoto and include prime and zoom options from the leading manufacturers. These lenses can be used for portraits, weddings, landscapes, streets, macro, videos, sports, and wildlife photography Simply pick the option that best suits your needs!
Best Wide-angle and Zoom Lenses for Canon EOS 5D Mark IV
1. Canon EF 11-24mm f/4L USM is the lens
Canon EF 11-24mm f/4L USM Lens
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11–24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length
- Focal Length & Maximum Aperture: 11–24mm f/4, Closest Focusing Distance : 11 in. / 0.28m
- New optical design and the use of one Super UD element and one UD lens element
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC), Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms
- Full-time manual focus allows manual focus adjustment while in AF Mode
The ultimate lens for shooting from extremely wide angles! Best extreme wide-angle zoom lens! The EF 11–24mm f/4L USM is the widest zoom lens that Canon has ever produced, and it features construction and optics from the L-series. Using this lens, you may achieve the largest possible field of view possible in your photographs.
This lens’ large wide-angle range of 11-24mm makes it an excellent choice for shooting landscapes, and interiors and providing distinctive views on topics both near and distant. One Super UD element and one UD element offer a significant reduction in chromatic aberrations, while four aspherical elements help to minimise distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Chromatic aberrations can be significantly reduced by using a combination of these two types of elements.
A Subwavelength Coating (SWC) and Air Sphere Coating (ASC) considerably minimise flare and ghosting, and a 9-blade circular aperture diaphragm generates attractively blurred backgrounds. Both of these coatings are referred to as “aperture diaphragms.” The EF 11–24mm f/4L USM is a lens that should be on every photographer’s wish list because of its small size, built-in lens hood, and compatibility with all EOS cameras. This lens is ideal for photographers who want to take highly expressive photos everywhere.
2. The Canon EF 16-35mm f/2.8L III USM is a versatile zoom lens
Canon EF 16–35mm f/2.8L III USM Lens, Black (0573C002)
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds. Not an Extender Compatiblity. Magnification with Extension Tube EF12 II- 0.65 at Tele (Not compatible at Wide). Magnification with Extension Tube EF25 II- 1.14 at Tele (Not compatible at Wide).Lens Construction:16 elements in 12 groups.Filter Size: 82 millimeter, P=0.75 millimeter: 1 filter
Strongly suggested, this is without a doubt one of the very best wide-angle zoom lenses that Canon has ever produced. The professionals at DPReview gave the EF 16–35mm f/2.8L III USM an astounding 91% for its overall score, earning it the publication’s Gold Award. It is a crucial wide-angle zoom lens for professional photographers as well as photography enthusiasts who expect exceptional operation and performance in almost any environment.
Its focal range of 16–35 millimetres gives you excellent control over perspective, enabling you to take photographs and videos with extraordinary and dramatic compositions that are restricted only by your own creativity. Throughout the whole zoom range, a maximum aperture that remains constant at f/2.8 ensures great performance and superb light transmission. The EF 16–35mm f/2.8L III USM produces eye-catching results by combining superb picture quality, a quick, constant aperture, and a durable build. These characteristics enable the lens to capture vivid, subtle landscapes as well as dramatic interiors and a great deal more.
Still and moving pictures can be taken with continuous edge-to-edge clarity, increased periphery lighting, and decreased distortion at extremely wide angles. This is possible for both still photographs and moving images. This lens is fantastic for professional photographers as well as photography lovers who enjoy shooting architectural, wildlife, wedding, and landscape subjects.
3. Sigma 12-24mm f/4 DG HSM Art
Sigma 12-24mm f/4 DG HSM Art Lens for Canon EF (205954)
- It allows photographers to enjoy the world of zero distortion that is ideal for landscape or architecture shooting.
- Continuing the tradition of the ultra wide angle range with incredible perspective, this new lens offers an optimal package.
- It allows photographers to enjoy the world of zero distortion that is ideal for landscape or architecture shooting.
- Continuing the tradition of the ultra wide angle range with incredible perspective, this new lens offers an optimal package.
- With F4 throughout the zoom range, it is one stop brighter than the previous model, allowing photographers to use faster shutter speed.
Amazing Lens! Especially considering the price, which is a savings of $1000 compared to the Canon 11-24mm model. The Sigma 12-24mm Art offers an optimal package of centre-to-edge image quality, minimised distortion, and minimum focusing distance, and it is distinguished by its innovative design, which significantly reduces distortion in order to achieve a high degree of sharpness. The lens covers a useful variety of ultra-wide focal lengths.
In order to achieve great clarity and colour accuracy across the zoom range, a sequence of low dispersion and aspherical elements decrease both chromatic and spherical aberrations throughout the lens. A Super Multi-Layer Coating helps to prevent lens flare and ghosting, which enables photographers to capture colour-accurate and contrast-rich images in a wide range of lighting circumstances.
This Sigma 12-24mm f/4 DG HSM Art lens is excellent for landscape photography, photography of architecture, photography of interiors, and a great deal of other types of photography as well since it provides amazing picture quality from the centre to the edges without any distortion.
4. Tamron SP 15-30mm f/2.8 Di VC USD G2
Tamron SP 15-30mm F/2.8 Di VC USD G2 for Canon Digital SLR...
- Super high-quality high-speed ultra-wide-angle zoom lens
- Lens has triple lens coatings consisting of the newly developed ax coating, plus band and bar coatings
- Dual MPU system for AF and VC
- Newly developed VC mechanism now reaches 4.5 Stops of image stabilization (CIPA-rated)
- Super high-quality high-speed ultra-wide-angle zoom lens
- Lens has triple lens coatings consisting of the newly developed ax coating, plus band and bar coatings
- Dual MPU system for AF and VC
- Newly developed VC mechanism now reaches 4.5 Stops of image stabilization (CIPA-rated)
- Moisture-resistant construction
When compared to comparable wide-angle zoom lenses made by Canon and Nikon, the Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is an appealing and more economical choice. Tamron SP 15-30mm f/2.8 gives superb picture quality, and its price is far lower than that of Canon EF 11-24mm f/4L USM. Other wonderful qualities of this lens are its wide aperture, ultra-wide focal length range, and image stabilisation.
The lens is constructed with aspherical and low dispersion glass elements, and it is coated with three different types of specialised lens coatings. As a result, the lens minimises flare and ghosting, and it reduces both chromatic and spherical aberrations. This results in images that are clearer, more vivid, and more accurate. Working in low-light circumstances is made easier with a brilliant maximum aperture of f/2.8, which maintains the same level of brightness throughout the zoom range.
Even when shooting handheld or making use of slow shutter speeds, the Vibration Compensation (VC) image stabilisation technology that this camera possesses may minimise the amount of camera shake by up to 4.5 stops, resulting in crisper still photos and smoother movies. A fantastic wide-angle zoom lens is available at a reasonable price.
5. Canon EF 17-40mm f/4L USM
Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for SLR...
- 17 40 millimeter ultra wide angle zoom lens with f/4 maximum aperture for Canon SLR Cameras. Diagonal angle of view 104° 57° 30'
- 3 aspherical lens elements and super UD glass element create superior optics in all conditions, Closest focusing distance: 0.9 feet
- 17 40 millimeter ultra wide angle zoom lens with f/4 maximum aperture for Canon SLR Cameras. Diagonal angle of view 104° 57° 30'
- 3 aspherical lens elements and super UD glass element create superior optics in all conditions, Closest focusing distance: 0.9 feet
- Powerful ring type ultrasonic monitor (USM) produces fast and silent autofocusing, Focuses as close as 11 inches, supports screw in 77 millimeter filters or up to 3 gel filters. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques
- Suitable for Wedding/Nature Photography, Weather resistant construction, Water and Dust Resistant, measures 3.3 inches in diameter, 1 year warranty
- Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
The Best Value Wide Angle lens! If you want to get a wide-angle lens but don’t want to spend a lot of money, the Canon EF 17-40mm f/4L USM lens is your best bet. The lens is crisp, has a perfect focus, and can cover a range of focal lengths, making it ideal for landscape photography and other forms of wide-angle photography. Additionally, the lens has a reasonable shooting quality when there is a lack of available light.
In addition, this lens has a weather-sealing coating so that it may be used even in harsh situations. It is also significantly less expensive and much lighter than the Canon 16-35mm lens. The fact that the Canon 17-40mm’s maximum aperture is just f/4 and that it does not have image stabilisation are the two major drawbacks of this lens.
Best Lenses with a Standard Zoom Range For Canon EOS 5D Mark IV
6. Canon EF 24-70mm f/2.8L II USM
Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.8 constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full time manual focusing
- 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 feet
- Image Stabilization : No. Focus adjustment: Inner focusing with USM. Diagonal angle of view: 84° - 34°. Weight 1.7 pound
- Purchase this product between May 1, 2016 and July 30, 2016 and get 13 months of free damage protection from Canon. The product must be registered within 30 days of the purchase date to be eligible
It comes highly recommended! Canon’s EF 24-70mm f/2.8L II USM Lens is a sophisticated zoom lens built for exceptional performance and high-end durability. This lens covers a popular and diverse variety of focal lengths, from landscapes to portraits, and it spans the focal length range of the 24-70mm range. This lens has a variety of focal lengths, from wide-angle to portrait, and it is distinguished by a maximum aperture that remains constant at f/2.8. This allows the photographer to work more effectively in challenging lighting conditions and gives them more control over the amount of depth that is captured in their images.
Additionally, the lens is distinguished by its complex optical design, which consists of one Super UD element and two UD elements. These components help to eliminate colour fringing as well as chromatic aberrations in order to achieve a high level of colour accuracy and clarity. In addition, there are three aspherical components, which help to reduce spherical aberrations and distortion, leading to an increase in sharpness. Because of its weather-sealed design and rapid, precise focusing, it is quite hard to identify any truly significant flaws in the product.
7. Sigma 24-35mm f/2 DG HSM Art
Sigma 24-35mm F2.0 Art DG HSM Lens for Canon
- Covering a common prime lens lineup, the 24-35mm F2 DG HSM was designed for prime performance with the versatility of a zoom lens.
- A large diameter aspherical lens, a complicated element to manufacture, allows for a stunning level of brightness
- Covering a common prime lens lineup, the 24-35mm F2 DG HSM was designed for prime performance with the versatility of a zoom lens.
- A large diameter aspherical lens, a complicated element to manufacture, allows for a stunning level of brightness
- The Sigma 24-35mm F2 DG HSM Art is the worlds first full frame F2 zoom lens
The Canon EF-mount Sigma 24-35mm f/2 DG HSM is the world’s first full-frame F2 zoom lens, and it incorporates the latest technology from Sigma, including an optimised autofocus (AF) algorithm for smooth, fast, and accurate focusing, as well as manual focus (MF) override functionality. This lens is distinguished by its impressively fast design, and it is also the world’s first full-frame F2 zoom lens.
This 24-35mm zoom lens was designed to take the position of a number of wide-angle primes and stands out owing to its brilliant maximum aperture of f/2, which benefits both the capacity to manage the depth of focus as well as the capability to operate in low-light environments. This lens is also distinguished by its superior optical design, which makes use of a number of low dispersion and aspherical elements over the entirety of its zoom range to significantly lessen the appearance of colour fringing and distortion.
When working in strong lighting circumstances, individual pieces have also been coated with Super Multi-Layer Coating. This was done to reduce the amount of flare and ghosting that occurs, which allows for more contrast.
Photographers are now able to quickly replace three standard lenses with one piece of equipment thanks to a ground-breaking aperture that is paired with a variable wide-angle focal length that ranges from 24-35 millimetres. It performs exceptionally well when used for photographing portraits, landscapes, and other close-up subjects.
8. Tamron SP 24-70mm f/2.8 Di VC USD G2
Tamron SP 24-70mm F/2.8 Di VC USD G2 for Canon DSLR Cameras...
- Eband coating provides superior anti-reflection properties, and reduces flare and ghosting
- High performance MPU for AF dramatically improves autofocusing accuracy and speed
- Dedicated MPU delivers the highest image stabilization in class at 5 CIPA-rated Stops
- Eband coating provides superior anti-reflection properties, and reduces flare and ghosting
- High performance MPU for AF dramatically improves autofocusing accuracy and speed
- Dedicated MPU delivers the highest image stabilization in class at 5 CIPA-rated Stops
- New VC auto detect mode 2 for panning
- Fluorine coating and moisture-resistant construction fluorine coating and moisture-resistant construction; Minimum Aperture: F/22
The Tamron SP 24-70mm f/2.8 Di VC USD G2 lens is an updated fast standard zoom that covers a flexible wide-angle to portrait-length range. This lens is distinguished by its quick focusing speed and image stabilisation. Working in low-light circumstances is made easier with a brilliant maximum aperture of f/2.8, which maintains the same level of brightness throughout the zoom range.
In addition, a Vibration Compensation feature that is effective for five stops helps to reduce the appearance of camera wobble, allowing users to take crisper handheld photos even in challenging lighting circumstances. The Tamron SP 24-70mm f/2.8 G2 lens is an appealing alternative to the far more costly options provided by Canon since it provides excellent colour reproduction, stunning bokeh, effective autofocus, and image stabilisation technologies.
